A Quote by Nick Clegg

The British political system and the whole clapped out Westminster architecture, and the language that we use about politics, it's completely unsustainable. You either decide to be part of that transition to do something different. Or you cling to old certainties.
One thing I have frankly decided is that when it comes to political reform we have two conservative parties in British politics. Both the Labour and Conservative parties have constantly and repeatedly failed to honour promises they have made about reforming, cleaning, modernising our clapped-out system.
Politics is different than movies. Politics are controlled by leaders. Leaders of every country have different interests. And they try to explain to their people why they should take one side or the other side. But in the movie its doing the opposite. It allows you to have a Universal Experience. You don't watch it as politics but as a movie. You don't have different reactions all over. It's so universal a language. It's not a political language serving a political agenda. The language of cinema is a world language. With the Hollywood movie, it brings about the same reaction wherever it goes.
I don't mind being labeled as a political songwriter. I've chosen to do that. What really annoys me is being dismissed as a political songwriter. That really pains me, because life isn't all about love; it's not all about politics, either. It's a beautiful mixture of events that absolutely baffle you, and you think, "Why can't I do something about that?", whether those events are in your bedroom, or out there in the wide world. In our daily lives we engage with them at different times, and I'm trying to write about the whole human experience, or my perspective on it anyway.
What I was excited about was the opportunity for punters to be part of politics. The whole idea was to allow the voices of people outside this weirdo palace of Westminster to be heard. I thought the whole social media thing might be really positive.
We have embarked globally on a path of unsustainable development. Our lifestyles, the way we produce goods and services, are all part of a system that is completely unsustainable. I see solutions to climate change leading to a much larger philosophical shift in the way human society develops. We need a new matrix to define what human progress is.
Certainly the multicultural activists in the Labour party and the universities wanted to destroy the old white Anglo-Saxon education system as they saw it, and produce something completely different - with no conception of what that completely different thing would be, of course.
I've not hidden and I'll never hide the fact that I want Scotland to be an independent country. But as long as we're part of the Westminster system, it's really important to people in Scotland that we get good decisions coming out of Westminster. So we've got a vested interest in being a constructive participant.
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity-architecture of democracy.
The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
Every film has a political side. It's something that you cannot ignore. Politics is a part of everything, it's how we speak, how we perceive one another, how we hold this interview: Everything is politics. But it's a very different thing to just stuff your film with political messages.
We'll have a part and it's clearing up, so you think something is going to happen and it totally stops and does something completely different and then the part you thought was going to happen comes out of completely nowhere.
Brexit has changed everything in British politics - it has blown open a cosy, zombie-like closed world of Westminster parliamentary politics. It has broken open the traditional line between left and right, which was already an exhausted tradition.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
When you're somebody who has the pretension to make art, it's completely different from when someone else says I want to make a book of your art. You don't decide the title, you don't decide the size, the order of the photographs . . . so it's completely out of control!
Most organisms either adapt and become part of the system, or get wiped out. The only thing we have to adapt to the system with is our brain. If we don't use it, and we don't adapt fast enough, we won't survive.
Architecture is a technology. And it's involved in all of the different networks of systems that produce architecture - including politics, economics, social and cultural conditions. So architecture is already in technology.
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