A Quote by Nick Clegg

I don't watch a huge amount of telly. I read a lot. I'm reading at the moment 'Freedom,' by Jonathan Franzen, a great big brick of a book, and I'm loving it. — © Nick Clegg
I don't watch a huge amount of telly. I read a lot. I'm reading at the moment 'Freedom,' by Jonathan Franzen, a great big brick of a book, and I'm loving it.
I don't watch much telly, the telly hardly goes on, but the things I do watch are sort of nature programs, and something about the oceans and the amount of weird fish that's in there.
I love nature - it's probably my most favorite thing. I don't watch much telly, the telly hardly goes on, but the things I do watch are sort of nature programs, and something about the oceans and the amount of weird fish that's in there.
Read a lot. Expect something big, something exalting or deepening from a book. No book is worth reading that isn't worth re-reading.
I'm like a unicorn; I'm a midlist writer who hasn't done anything else but write. But because I wasn't amazingly famous, I didn't become Stephanie Meyer, or even a huge literary name like a Jonathan Franzen or a Joshua Ferris.
I've immersed myself in reading more and more of American literature, but no editor has asked me to comment on Jonathan Franzen or Jennifer Egan. It is assumed I'm an expert on writers who need a little less suntan lotion at the beach.
I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.
I read a book called The Art of Loving. A lot of things seemed clear while I was reading it but afterwards I went back to being more or less the same.
Reading alters the appearance of a book. Once it has been read, it never looks the same again, and people leave their individual imprint on a book they have read. Once of the pleasures of reading is seeing this alteration on the pages, and the way, by reading it, you have made the book yours.
I read continually and don't understand writers who say they don't read while working on a book. For a start, a book takes me about two years to write, so there's no way I am depriving myself of reading during that time. Another thing is that reading other writers is continually inspiring - reading great writers reminds you how hard you have to work.
You never know what you're in for when you take a role. When you're reading the script, you're in some café in New York and you're loving life and it sounds great because it's like reading a book. When you step into that book and you actually have to play it out, for real, it's a totally different ball game.
I expected a lot of flak over my new book, '50 Things Liberals Love to Hate' from, well, liberals. It's not a big shock that the kind of liberals I skewer in the book - the radical, Che Guevara-loving type - have posted scathing reviews at Amazon and written nasty e-mails and voiced opposition to a book they haven't actually read.
People like Ian McEwan and Jonathan Franzen completely bore me.
I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.'
I enjoyed Jonathan Franzen's 'Freedom.' Would I make that into a film? I think it's better suited to television. That would very much be a dialogue and performance piece, and it would take some very skilful direction - but not my kind of directing. But I thought it was a real literary work.
I love reading. I spend a huge amount of time travelling on planes and have always got a book on the go.
I don't watch an awful lot of television. It's a very strange thing, and I don't know a lot of people who work in telly who watch a lot of it.
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