A Quote by Nick Cummins

If you're a single Sheila and you're trying to find an Australian bloke, you duck off down there to Australia. You go to the Red Centre: you'll find there's a few shearers, a few stockmen, and there you will find an Australian bloke.
I'd like to be seen as an average Australian bloke. I can't think of... I can't think of a nobler description of anybody than to be called an average Australian bloke.
For a while Australians were desperately trying to be cosmopolitan. I think it is a pointless exercise. Australian novels are those rooted in Australia, with Australian landscapes and colours. My work has always had bits of Western Australia in it. It is always here. The world comes to us.
Being in Australia makes me happy. My partner is Australian, and my home is in Australia, and it's ridiculous not to be Australian - it's a logical step to take.
I want to try and wear as many Australian designers as I can because I'd like to support my Australian colleagues in the industry as well as find things that are eco-friendly. I love the green concept of wearing more sustainable garments at events.
I've been voted one of Australia's 50 national treasures. I've even had my face on an Australian stamp - the only non-Australian to do so, apart from the Queen, of course.
I live in Australia, and I am Australian, and because I grew up in an era where we didn't have a film industry, and now we do, it's just really exciting for me to be able to say that I work in my own culture in a medium that I find fascinating.
If you find an Australian indoors, it's a fair bet that he will have a glass in his hand.
There is a white girl from Australia that spits in an Australian accent, and her name is Chelsea Jane. That I can get into. Teach me Australian Hip-Hop culture. Don't come to America and try to convince me that you're Gangsta Boo...We're not going to believe you if you're trying to convince us that you're out here trap shooting.
What I'm trying to do as an Australian is to say to people, 'You've got to go back out to Australia,' because there are rural communities that really rely upon tourism to continue to go.
Dreams require down payments. Dreams are free, but the journey isn't. There is a price to pay. When you find your why you'll find your way. When you develop your will you will embark on your way. Many people start; few people finish. Many people have a dream; few people achieve their dreams.
Australia has always encouraged the little bloke to have a go, the Aussie battler to get up.
In Australia, I wrote lots of little plays and put them on, and then I worked on a few different TV shows, like the Australian equivalent of 'SNL.' I would write and perform all of my characters.
I conclude where I began, I was elected by the people of Australia to do a job. I was not elected by the factional leaders of Australia, of the Australian Labor Party to do a job - though they may be seeking to do a job on me, that's a separate matter. The challenge therefore is to honour the mandate given to me by the Australian people.
I thought I was clever by greeting casting agents in my Australian accent and then switching to an American one during the performance. But the Australian accent seemed to put them off. Now it's the opposite; they love Australians. And with my thick Californian accent I now have a problem convincing them I'm Australian.
I think there is a kind of laconic Australian leg-pulling sense of humor that is certainly in some of my stories, or is an element in some of my books, and that's probably a direct result of where I've grown up. But other than that I don't draw particularly on the Australian landscape or the Australian biology and so on. So I don't think there's anything you could point to and say is particularly Australian.
Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
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