A Quote by Nick Diaz
I don't like the way the cage is set up. I think it's really dangerous that the metal comes up about three inches off the ground. People were putting their foot on it. I can see it. And I was worried about being taken down and landing backwards with my elbow. and damaging my elbow or even my head.
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My dad taught me really early so I could take a lot of pressure off my elbow. Because the way I throw it, it doesn't crank up my elbow like everyone else's curveballs.
When I was growing up, my family was serious about manners. I always wanted to put my elbow on the table to prop my head up. I didn't understand how other people looked awake. My head felt so heavy after the whole day.
I know that sometimes when you are really worried about something, it ends up not being nearly as bad as you think it will be, and you get to be relieved that you were just being silly, worrying so much over nothing. But sometimes it is just the opposite. It can happen that whatever you are worried about will be even worse than you could have possibly imagined, and you find that you were right to be worried, and even that, maybe, you weren't worried enough.
I used to do this huge jump off the drum riser. I had a good way of landing so I wouldn't hurt myself, but then one time, I landed on my elbow.
I think we should be worried about the fact that we have become, as a society, very focused on the way people look, the way they dress. I do think we should worry about that because we should be worried about content. We should be worried about ideas. We should not be putting form over function.
I think 'Elbow' were considered successful even before [2008's] Seldom Seen Kid because we were living off the band. We have a great manager who keeps our coffers topped off, and we give ourselves a sensible wage with a view to having three fallow years between records. We always make sure we have enough money to make a record and not be pressured time-wise.
It's very important that people realize: the air is being taken away, the oceans are being taken away, the room is being taken away, but we're so worried about gas prices that we don't even see this stuff.
When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
Even you, who’ve lived inside your body for 64 years, would apparently be unable to recognize your foot in an isolated photograph of that foot, not to think of your ear or one of your eyes or elbow, also familiar to you in the context of the whole, but utterly anonymous when taken piece by piece. We are all aliens to ourselves, and if we have any sense of who we are, it is only because we live inside the eyes of others.
Sometimes you just have to be brave. You have to be strong. Sometimes you just can’t give in to weak thoughts. You have to beat down those devils that get inside your head and try to make you panic. You struggle along, putting one foot a little bit ahead of the other, hoping that when you go backwards it won’t be too far backwards, so that when you start going forwards again you won’t have too much to catch up
In my day, defenders played you with two hands and an elbow. You're not getting by a guy, especially if he has an elbow and a hand on you and is a strong defensive player.
To me, if people think about wrestling, they think about elbow drops, body slams, and stringing somebody in the circle.
Bend down, bend down. Excess is the only ease, so bend. The sun is in the tree. Put your mouth on mine. Bend down beam & slash, for Dread is dreamed-up-scenes of what comes after death. Is being fled from what bends down in pain. The elbow bends in the brain, lifts the cup. The worst is yet to dream you up, so bend down the intrigue you dreamed. Flee the hayneedle in the brain's tree. Excess allures by leaps. Stars burn clean. Oriole bitches and gleams. Dread is the fear of being less forever. So bend. Bend down and kiss what you see.
I have no trouble with the twelve inches between my elbow and my palm. It's the seven inches between my ears that's bent.
The whole thing was set up very cleverly. The people who were torn from their normal lives and put on the trains may have heard that terrible things were happening in Auschwitz, but even up to the end, they kept on thinking: Perhaps it isn't so bad after all. And then they arrived and the SS told them: "The old people and the sick can take the truck. Anyone who is still young can walk." It took us a while to realize that the ones who were being driven were really being taken to the gas chambers.
I grew up in the South Side, and when we would have snow and blizzards and drifts, we would jump off the garage roof into the snow. Now if I'm up on a step ladder and I think I'm going to fall, it's a foot and a half off the ground, but I'm panicked about it. So I'm afraid of ladders and those beds.
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