A Quote by Nick Diaz
You see me. What you see is what you get. You get real martial arts, you get real fighting, you get a real warrior mentality. Some people aren't mature enough to handle it.
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People want to see real skill level, real Jiu Jitsu, real boxing, put together and mixed up. They want to see mixed martial arts. They don't want to see five minutes of holding. I think there should be points deducted when you do that.
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
It's like Christmas every day playing in the NBA. You don't have to worry about the real world and real issues. As you get older, you get more mature and you understand that. There's so many other things going on that we have to shed light on to help these people any way we can.
I think it's because I'm real. Inside and outside of the ring, what you see is what you get. I'm CM Punk. I'm not trying to be something I'm not. I'm not trying to lie to the people or be fake. I'm not trying to be some crazy, outlandish character. I'm real and they appreciate that. Everything I say, it comes from the heart. It's all real.
I think that we see war as a virtual thing and we even get to believe that bombs fall on top of cardboard cutouts and stuff like that. They don't. They kill real people, real children, real mothers and millions of innocent people.
I get to see my baby's development. I get to change diapers, I get to be a real father, something that I didn't have growing up.
You can't have a novel without real, believable people, and once you get into either too theoretical a novel or too philosophical a novel, you get into the dangers that the French novel has discovered in the past 50 or 60 years. And you get into a sort of aridity. No, you have to have real, identifiable people to whom the reader reacts in a way as if they were real people.
Doing my first movie, I realized I could get into real bad habits. If you're the star, all you have to do is show up, and 20 people say, 'Do you want anything? What is it? Let me get it for you.' Believe me, you get spoiled very quickly. I saw some of my contemporaries allow themselves to have that fame, thinking they could handle it. It messed them up.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
What people really haven't thought about with real estate is, if you get tax reform, you're going to see real estate now... the velocity of selling and buying real estate will just kick.
Seriously. I'm not very bright, and it takes a lot for me to get a concept - to really get a concept. To get it enough that it becomes part of me. But when it happens I get real excited about it.
Seriously. I'm not very bright, and it takes a lot for me to get a concept - to really get a concept. To get it enough that it becomes part of me. But when it happens I get real excited about it
The narrative oftentimes is that everything that comes out of the hood is 'real,' and so I thought, 'I'll base it on the absurd, the not real. I'll twist the idea of real on its head and see if I can get away with it. I'll make paintings that come not from a place but through an abstract gaze.'
The weird job of acting is that it is so simple. You just see the person in the situation. It is whatever you have to do to get there. Some people want to stay up all night or cut their toe off. For me it is a bunch of reading, and hanging out with real people, I do that. You never know what you are going to get. It might be the shoes people wear.
I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.
...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.
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