A Quote by Nick Diaz

I don't want to say I was a big Shinya Aoki fan, but it's just that I felt like he got out and was able to do a lot of the tricks that I like to do before I was able to do them. I guess you can say, a little bit jealous in a way that he was making that sort of show before I was.
I think the craziest thing I've seen is probably a fan sleeping overnight for two nights before a show, which was probably a bit excessive - they still probably could have been first either way! But I guess it turned into a really exciting, sort of, camping-out trip for them so it was cool.
Of course Trump thinks he is above the law. For his entire life, he has been able to say and do whatever he felt like saying or doing - not just without consequence, but he has been able to say or do whatever he felt like saying or doing - and rise up all the way to the position of President of the United States.
I'm actually sort of shocked that I was able to get a medal in 2014 and really have any of the success I had before because as soon as I came out, it was like a whole new world for me, and I felt so free, so confident, that it's actually shocking that I was able to compete any other way.
It's almost inherent, but I'm a massive Stanley Kubrick fan. I'm a big admirer of what guys like Christopher Nolan have been able to do. For me, to be able to try to make big films that reach a lot of people, and that hopefully have something to say, is a lofty goal, but that's my goal.
A lot of people will say different stuff like, 'You can't do it.' They'll say no before I even say anything. You just have to believe in yourself, and there's a reason they might say no, because they probably haven't seen it before.
Every bit of me is devoted to love and art. And I aspire to try to be a teacher to my young fans who feel just like I felt when I was younger. I just felt like a freak. I guess what I'm trying to say is I'm trying to liberate them, I want to free them of their fears and make them feel that they can make their own space in the world.
I just want to say this. I want to say it gently but I want to say it firmly: There is a tendency for the world to say to America, ‘the big problems of the world are yours, you go and sort them out,’ and then to worry when America wants to sort them out.
I guess when I got into my preteens, I turned about 12 and I decided to sing R&B, because I felt like one day there were some things I felt like I would want to say, that I couldn't say with gospel music.
I hit this point - I guess you'd say an end of a chapter - where I felt like I kind of did everything. I wasn't interested in music. It was a really strange feeling, and needless to say, it freaked me out a little bit. I really started to go inward and say, 'Hey, what is this about?'
When I go back to the stage, I want to be able to do everything. I want to be able to do music and comedy and all that stuff and have a show like nobody ever had before.
I'm a huge fan of a lot of different genres of music, and I really felt like somehow I had been pigeonholed a little bit - maybe of my own doing - and in a way where I felt like I was sort of falsely defined. What my music was being called wasn't really the music I was always listening to.
When it’s all said and done, I want to be able to say I got the most out of my potential. I don’t want to look back, however many years from now, and say, ‘I wonder if I would have worked a little harder. I wonder if I would have done this or done that, how things would have turned out.’ I want to, when it’s all said and done, be able to put my head on my pillow and say, ‘I did everything I could do — good or bad.’
It's almost like going to high school before you got to go to college. You felt a little bit better before you got to college. That's how I feel about Brooklyn.
I want to show my range before I fall into any typecasting. I've turned down a lot of things trying to wait. But at the end of my career, whether that be tomorrow or 40 years from now, I would like to look back and be able to say, 'Ah, I never fell into any gimmicks.'
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
I felt voiceless for so long, I wasn't ever able to say what I felt out loud. I didn't know how to say it. Posting online presented itself as a comfortable medium. I could say what I wanted to say in a way I still felt comfortable. Whenever, however I wanted to.
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