A Quote by Nick Faldo

I was a little stunned that we didn't get a coloring book with this menu. — © Nick Faldo
I was a little stunned that we didn't get a coloring book with this menu.

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I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young - most kids colored in coloring books, but I made money off coloring books.
My mother refused to give me coloring books as a child. She probably saved me, Because when you think about it, what a coloring book does is completely kill creativity.
I always feel like an idiot every time I fly first class because I’m a kid. And I just sit there, and everyone’s got their newspapers and they’re on the computer, and I’m like, 'Can I get a coloring book, please? Can I get some crayons?'
It almost always happens that true, but exaggerated, coloring is more agreeable than absolute coloring.
As long as we’ve got somewhere to sleep, a bowl of cereal, and a coloring book we’ll be fine.
Given that I have to share my computer with my three children, it's not usually a site that I get to spend that much time on. I'm usually on the Nickelodeon site, coloring with my little five year old or something.
In the Marines, I was stunned, absolutely stunned, at everything around me, at what the world looked like.
I was stunned to see that he looked stunned himself, which was an exorbitant display of emotion for Barrons.
I finished a big book the other day. 421 pages. That's a lot of coloring when you think about it.
But understanding the complexities of the ramen menu is an equally tricky feat for a foreigner. Both regional and stylistic variations apply to each menu. Add to that the spin that each particular ramen chef puts on his dish, and you rarely know what you are going to get.
When I was working on 'Coloring Book,' I knew that I wanted it to be a beacon for independent artists and music makers with their own agenda.
I am stunned by how much time and effort I must spend marketing my book and interacting with my readers. With social media, you don't just publish a book and figure you've done your part; your fans want to talk to you, have a conversation.
That's one of the many things about having the bookstore that I adore. I can walk into the store and say to somebody, "I'm glad you're reading this book" or "I'm glad you're getting this book" or "Don't get that book. I read that book and hated that book. Let's get you this book instead."
When you do a menu at a restaurant, you have to be the engineer of that menu. It has to be a crowd-pleaser.
One of my biggest fears with 'Coloring Book' was that it would be labeled. I hate labels. I never sought out for people to recognize it as a gospel album.
The menu should be part of the entertainment, part of the dining experience. It's kind of like reading the 'Playbill' when you go to the theater. It should be an alluring and interactive document. Does it have burn marks on it from the candle? If you ever get a greasy menu with food stains on it, it's time to run like hell.
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