A Quote by Nick Foles
Nobody aspires to be a backup. And although I take great pride in the supporting roles I've played in both Philadelphia and Kansas City, part of me still cringes every time I hear myself described that way. Not only is it limiting and one-dimensional, it doesn't come close to describing who I really am.
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Things are so busy and so quick, and there’s so much going on, you have to realise the time when you have to take a step back, take a breath and really think back to where you come from. I’m from a very, very rural place. There’s really nobody out there, just roads and farms. I had a long transition to get to where I am now. I moved away when I was young, when I was about 19. I’d literally come from an area with dirt roads and stuff like that, right to the centre of a city of about five million people. It’s been great. I’m based in New York and every day it's amazing.
People's outlook on Kansas City is always like, 'They let you rap in K.C.?' Or 'How's Dorothy and Toto?' They put Kansas and Kansas City together, when it's really separate.
When I got interested in football, nobody was cheering for Kansas City. Kansas City was trash. I said, 'That's my team.' Then what happens? We get Joe Montana and Marcus Allen.
There was a time when I really wanted to do films, but they didn't come my way. I would come close and the next day suddenly I'd realise that I am not a part of the film anymore. So that's how television happened.
There's pride on Bourbon Street for the musicians that work there. They take it very seriously. I've never worked there or played in band there, but it's a part of the city. They play for the tourists and represent a whole different side of the culture of our city.
My idea of an actor is to be different persons with different roles. Every time a script interests me, I look for interesting characters because I intend to completely transport myself into it. This happens only because I am a very greedy actor. I am not part of the rat race because I am living a dream.
I was at the 1976 Republican Convention in Kansas City. I was running 'Nobody for President' at the time. I printed up these press releases and handed them out to the crowd at the Kemper Arena. 'Nobody keeps campaign promises.' 'Nobody lowers your taxes.' 'Nobody should have that much power.' 'Nobody is in Washington working for you.'
I take things very seriously, and I give myself time to come down and to ramp up, and it's an inside spiritual journey for me. I feel like acting is a way of feeling your personality, and it's really special. Special to have this kind of effect on people. You can only have that effect if you're really outside of yourself. You can't look at yourself and do what I do at the same time. I have done it that way in the past, but it doesn't really work. I can only soar within the parameters of time, and I use music analogies.
I mean, Philadelphia, if the Eagles were to win the Super Bowl, you kind of wonder how it'd change the city in some way. At the end of the day, as intense as Eagles fans are or as Philadelphia fans are, they really just love their team and they'll be happy either way. The Eagles have made Philadelphia proud.
When I am tired, it is easy to say I need a backup - and if that only happens every three months, it's not ideal and also difficult for Mr. Backup.
Although I’ve played a wide variety of roles, I’ve never had the chance to act in a story written specially for me. It’s a pity as they are the only stories that really let you reveal your personality.
I have played lead roles, supporting roles and also miniscule roles in my career so far, and have never been image conscious.
I've come to think that the universe is a four-dimensional site in which nothing is changing and nothing is moving. The only thing that is moving along the time axis is our consciousness. The past is still there, the future has always been here. Every moment that has existed or will ever exist is all part of this giant hyper-moment of space-time.
I don't take the roles home with me. I don't work that way. I don't understand that; I mean, I really don't when I hear that.
Dixie Chicks surprised me with a beautiful three-part harmony version of 'I'll Take Care of You.' And Don Henley's performance of 'The Heart of the Matter' still just slays me every time I hear it.
I'd never played a character as long as I played Poussey. Spending time with her, so much time embodying that character, it was so - and still is and always will be - so special to me and a part of who I am.
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