A Quote by Nick Frost

There's a difference between watching a film and watching a bit of cinema and enjoying a film as a piece of cinema. — © Nick Frost
There's a difference between watching a film and watching a bit of cinema and enjoying a film as a piece of cinema.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
I'm not coming from film school, I learned cinema in the cinema watching films.
For British cinema to survive, you really need a British film culture, and it's got to start down there, with young kids watching films in the cinema - so they can be transported to a different world.
Film students should stay as far away from film schools and film teachers as possible. The only school for the cinema is the cinema.
In a film festival, people come to watch because they are interested in cinema. It's not like watching a premiere show or being in any cinema hall, where you are not with like-minded people.
My sense of cinema improved slowly as I started watching South cinema, got to know that cinema is much appreciated here.
To me, a poem that's in rhyme and meter is the difference between watching a film in full color and watching a film in black and white. Not that a few black and white films aren't wonderful. So are certain successful pieces of free verse.
Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.
Film is pop art. It's not whether it's auteur cinema or not; that's a false distinction. Cinema is cinema.
I was a young film student around the time of the new wave in film in the 1970s; old Hollywood was naff and over. For me, as a film student, I was going to see French and Italian cinema; American cinema was 'Easy Rider' and 'Taxi Driver.' Everything was gritty.
When you screen a film like 'The Missing Picture,' it is not like watching TV. Watching TV is very solitary. When you watch cinema, you watch it together, and you talk about it after the screening.
When I went to the cinema as a boy, when I saw a war film, I thought the general was the star, and that Cary Grant was an extra. I had no idea about the structure of film, but I loved going to the cinema.
I grew up in a film lovers' family and I have been watching the best of world cinema from age six.
I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between.
I like watching film, I go to the cinema, but a lot of times I go to see kids' films.
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