A Quote by Nick Harkaway
The Internet has the capacity to extend to us genuine choice, and that is not without risk. Real power does entail real responsibility.
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Today the real test of power is not capacity to make war but capacity to prevent it.
I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.
The bond of family blesses us with an immeasurable power. But we also must accept what comes with it. It gives us a responsibility to love without condition, without apology. We can never waver from the power of that bond, even if it's tested. The bond nourishes us, gives us strength. Without that power, we are nothing.
Thus, the enabling and strengthening aspect of the Atonement helps us to see and to do and to become good in ways that we could never recognize or accomplish with our limited moral capacity. I testify and witness that the enabling power of the Savior's Atonement is real. Without that strengthening power of the Atonement, I could not stand before you this morning.
Today, despite all of the gains we have made, neither men nor women have real choice. Until women have supportive employers and colleagues as well as partners who share family responsibilities, they don't have real choice. And until men are fully respected for contributing inside the home, they don't have real choice either.
Until you separate the speculative behaviour of the financial sector from the real economy and the financing of the real economy, then we are not going to see the kind of stability or the capacity to drive genuine, income-led growth as opposed to debt-fuelled, speculative behaviour.
Real power is not given to us or even created; real power is realized. It comes from realizing an inner sense of peace, self-worth, and happiness.
I never lied to you. (Kiara) Of course you did –you said you could see the real us– that we weren’t as bad as we claimed. But you didn’t and, just like everyone else, so long as we risk our lives to protect and save you, we’re okay. But the moment we have to make a choice not ours, the moment you see what our pasts have made us, you’re horrified by the truth and hate us for it like we had some kind of choice in what we are. (Syn)
What Republican voters have shown us is that when they have the choice between the real thing and the fake one, they go with the real one every time.
To write does not mean to convert the real into words but to make the power of the word real.
It was both necessary and desirable for us to be so strong at sea that no Sea Power could attack us without risk, so that we might be free to protect our oversea interests, independently of the influence and the choice of other Sea Powers.
Never mind. Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us aas real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money.
Women are real. Our reality covers the whole human megillah, from feeble to fierce, from bad to good, from endangered to dangerous. We don't just deserve power, we have it. And power in this and every other society is not just the capacity to benefit those around us.
The artist draws a picture of a rose very nicely with all attention and artistic sense, and yet it does not become as perfect as the real rose. If that is the real fact, how can we say that the real rose has taken its shape without Intelligence behind the beauty?
The economic freedom which is the prerequisite of any other freedom cannot be the freedom from economic care which the socialist promise us, and which can be obtained only by relieving the individual at the same time of the necessity and of the power of choice: it must be the freedom of economic activity which, with the right of choice, inevitably also carries the risk and the responsibility of that right
Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.
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