A Quote by Nick Harkaway

An enormous amount of a writer's life is performance. I find myself wondering, at the moment, whether I do too much of it. — © Nick Harkaway
An enormous amount of a writer's life is performance. I find myself wondering, at the moment, whether I do too much of it.
Film taught me an enormous amount about the internal life a performance has to have, and that life has to be real. You can fake it on stage, but not for the camera.
I find myself unable to let go of the sense that human beings are somehow special, and that moment-to-moment human experience contains a certain unquantifiable essence. I still suspect there is something too quirky, too paradoxical, or too interpersonal to be imitated or re-created by machine life.
I love research so much that I do an enormous amount; it helps put off the moment of starting to write the story.
People who exploit others come to spend an enormous amount of energy wondering about and justifying that exploitation.
When I give myself over to a good novel, I surrender to the truths fashioned from one writer's heart, mind and soul. I do not waste a nanosecond wondering whether what I'm reading 'really happened.'
I never considered myself a good photographer. I still don't. I thought of myself as a hard worker. My camera was a sponge and I had an instinct that athletes have - anticipation. Photography really represents an enormous amount of anticipation - understanding what might be there the next moment and being prepared for it.
I kept a lot of my thoughts inside myself. So, perhaps more than is normal, I'm always questioning my role as a writer. I'm always stopping and asking myself: Do I have the right to tell this story? Is it a story that deserves to be heard? And as for whether I think of myself as a Writer with a capital "W," I very much hope I never do.
I wasn't truly comfortable with myself until I was about 30. I spent so much time and energy wondering if I wasn't worthy, and trying to find people to validate me, instead of validating myself.
There have been times when I think we do not desire heaven but more often I find myself wondering whether, in our heart of hearts, we have ever desired anything else.
Why is failure the first thing I think of when I find myself in this sort of situation? Why can't I just enjoy myself? But if you have to ask the question, then you know you're lost: self-consciousness is a man's worst enemy. Already I'm wondering whether she's as aware of my erection as I am.
I feel like there's a moment, in every young girl's life, whether it happens with your family, or a tragedy or death in your family, or a relationship, where there's a turning point where you go from extremely hopeful and cheery to wondering whether you are okay with where you are. That's always awkward.
Your solution for a customer has to be either amazingly valuable to someone who will pay an enormous amount of money for it or has to be valuable to an enormous number of people who pay a small amount. And also the person you're talking to-especially if you want to raise capital or raise support-has to personally say, "I want that. I like that. That sounds really great. I want that for myself."
I learnt an enormous amount, but there came a point where I found there was too much stress. It was no fun any more. Outside of the chessboard I avoid conflict, so I thought this wasn't worth it.
Writing changed my life. It has an existential dimension, and that's the same for every writer. Every artist has a moment of awakening, of happening upon an idea that grabs hold of you, regardless of whether you are a painter or a writer.
I don't weigh myself. I just go by if my clothes fit. I try not to participate too much in the incredible amount of wasted energy that women have around dealing with food. I just feel like being healthy is sort of a job requirement to be on TV, and being a writer is so much coping with fatigue and stress, and you just eat. You eat to stay awake.
A moderate amount of stress - not too much, not too little - generally means you understand the problem and are psychologically stoked to solve it. Moderate stress yields the best, most optimum performance in a crisis.
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