A Quote by Nick Harkaway

We lose stories every day because they drift out of use and into the vast limbo of in-copyright, out-of-print books whose ownership is unclear. — © Nick Harkaway
We lose stories every day because they drift out of use and into the vast limbo of in-copyright, out-of-print books whose ownership is unclear.
Well, it wasn't really a decision on my part although you always hope as an author that a book that goes out of print somehow winds up back in print. These days publishers like to put out-of-print books into e-book form, but I really wanted to do an update.
There are houses whose souls have passed into the limbo of Time, leaving their bodies in the limbo of London. Such was not quite the condition of Timothy's on the Bayswater Road, for Timothy's soul still had one foot in Timothy Forsyte's body, and Smither kept the atmosphere unchanging, of camphor and port wine and house whose windows are only opened to air it twice a day.
Every limbo boy and girl, all around the limbo world. Gonna do the limbo rock, all around the limbo clock.
When you hit send on a text or tweet, you lose ownership of it - but you don't lose responsibility. Every text you have sent may have been saved and could be out there waiting to be used in ways you didn't imagine. Even the most simple of posts can be used out of context, often unintentionally, and change your future.
Ebooks have many advantages - publishers don't have to make guesses about how many books to print, books need never go "out of print", and hard-to-find books can be easily available. So far, the only limitation seems to be finding a way for the writer to be paid.
Films and television and even comic books are churning out vast quantities of fictional narratives, and the public continues to swallow them up with great passion. That is because human beings need stories.
There are a lot of people out there who will write books, in which everything turns out nicely and the bad guys lose, the good guys win, the boy gets the girl and they live happily ever after. There's a million books like that and if that's the comfort you're looking for, you should read those books and not my books because that's not the kind of book that I am interested in.
I know many older writers who were very successful and whose books are now out of print, so you have to go to antiquarian booksellers to buy their fifth or eighth novel or whatever it is.
One way an author dies a little each day is when his books go out of print.
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation.
I pledge to set out to live a thousand lives between printed pages. I pledge to use books as doors to other minds, old and young, girl and boy, man and animal. I pledge to use books to open windows to a thousand different worlds and to the thousand different faces of my own world. I pledge to use books to make my universe spread much wider than the world I live in every day. I pledge to treat my books like friends, visiting them all from time to time and keeping them close.
I figure that since proprietary software developers use copyright to stop us from sharing, we cooperators can use copyright to give other cooperators an advantage of their own: they can use our code.
It is impossible to effectively monitor the huge volume of videos that are out there. It is often difficult to find out who owns the copyright on individual videos. Differing copyright laws in different countries also make the whole process harder.
Because we humans find stories such fascinating things, it’s all too easy to get interested in the story for its own sake, and lose sight of the purpose for which we set out to use the story.
I have great admiration and respect for the editors, writers, and artists of the comic books. They're turning out, I don't know, maybe 100 Batman stories a year, and the character turns 70 years old in May. It's incredible: for 70 years, on a weekly basis, every Wednesday, there is some Batman story coming out, if not a bunch of Batman stories coming out.
For years (decades even), I genuinely believed that world would beat a path to my books and stories, but eventually, as everything I wrote went rapidly out of print and stayed there, I wised up and started assembling them in e-format editions...
This site uses cookies to ensure you get the best experience. More info...
Got it!