A Quote by Nick Hornby

It was hopeless, life, really. It was set up all wrong. — © Nick Hornby
It was hopeless, life, really. It was set up all wrong.
I'm a hopeless mother; a hopeless wife; I have to try harder. I'm just a pathetic case history, really.
My liberal friends, Congressional Black Caucus members, talk about fighting for the defenseless, the hopeless, and the downtrodden. There is no one more hopeless and voiceless than an unborn baby, but their silence is deafening. I can't hear them. Where are they standing up for their communities, advocating and fighting for their right to life?
It's easy to set up binaries of who's good and who's bad, who is right and who is wrong. But I really don't think that way. I believe that people can change and grow.
I really thought when I was pregnant with my first that it wouldn't affect my work at all; it would just be a baby that grows up on set. And I was absolutely wrong. For women, the high point of their career and needing to have babies just don't really go together.
I was born with the wrong sign In the wrong house With the wrong ascendancy I took the wrong road That led to The wrong tendencies I was in the wrong place At the wrong time For the wrong reason And the wrong rhyme On the wrong day Of the wrong week Used the wrong method With the wrong technique Wrong Wrong.
Liberals are constantly wrong. In fact, that's how you rise to the top in liberalism, by being wrong. If you are wrong, and if you are consistently wrong, it's even better. You're really one of them if you're really wrong all the time. Look at Jimmy Carter.
You have to set up the right technique to get that takedown. It can't just be any shot. You have to really set it up.
How clear, how lovely bright, How beautiful to sight Those beams of morning play; How heaven laughs out with glee Where, like a bird set free, Up from the eastern sea Soars the delightful day. To-day I shall be strong, No more shall yield to wrong, Shall squander life no more; Days lost, I know not how, I shall retrieve them now; Now I shall keep the vow I never kept before. Ensanguining the skies How heavily it dies Into the west away; Past touch and sight and sound Not further to be found, How hopeless under ground Falls the remorseful day.
Hope means hoping when things are hopeless, or it is no virtue at all... As long as matters are really hopeful, hope is mere flattery or platitude; it is only when everything is hopeless that hope begins to be a strength.
A label is a mask life wears. We put labels on life all the time. 'Right,' 'wrong,' 'success,' 'failure,' . . . Labeling sets up an expectation of life that is often so compelling we can no longer see things as they really are. This expectation often gives us a false sense of familiarity toward something that is really new and unprecedented. We are in relationship with our expectations and not with life itself.
Our attitude towards what has happened to us in life is the important thing to recognize. Once hopeless, my life is now hope-full, but it did not happen overnight. The last of human freedoms, to choose one's attitude in any given set of circumstances, is to choose one's own way.
So often people read conspiracy into a thing when it's really a confluence of cock-ups and the wrong button being pressed at the wrong time, or the guest you wanted gets into the wrong taxi and doesn't show up.
I am really, truly a hopeless romantic, myself, and I am also obsessed with past lives, knowing someone from a past life and knowing that right away, when you meet them. I really believe in inexplicable connections with people, and the way your subconscious enters your dreams. Those are themes in life that I'm really fascinated in.
Plenty of people say my guesses about a future drought in the western U.S. (where I live and grew up) are wrong, so I don't see why I won't be wrong in some people's eyes when I go set a story on foreign shores.
I really wanted to make sure that if we set Duke up, that he's set up the right way and he's his own hero for the right reasons.
I grew up the son of a director and grew up on sets myself, so I was the kid getting dragged around from this set to that set and I loved it. There's something about it which is really interesting.
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