A Quote by Nick Hornby
The point is you keep going. You want to. So all the things that make you want to are the point.
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If you got a dope girl, there's going to be people that want her. But I don't know, I've always kept my 'A-game' on point. I just make a point to make sure the woman that I'm with is taken care of. You got to keep it new, so I go out of my way to make them feel special.
The point is that we have no control. The point is that there are no guarantees, that we never know what's going to happen in life, but we can't give up. The point is that, fallible as we all are, we have to keep trying, we have to keep reaching out to others.
I'm probably only going to make 10 movies, so I'm already planning on what I'm going to do after that. That's why I'm counting them. I have two more left. I want to stop at a certain point. What I want to do, basically, is I want to write novels, and I want to write theatre, and I want to direct theatre.
As an actress, there's a lot of waiting. You wait for a script to come in that you want to do. You get to a point where you decide that if you want good things to be made, you're going to have to start making them yourself as an actress. You can't just wait around for it. But you can also just enjoy the breaks, and use them to kind of refuel. I've been working so long at this point that I don't mind the breaks. I think they make me better, actually.
I want people to know my political point of view. There's an appetite for that, almost an expectation. I also want to make people laugh, but I wouldn't want to do it at the expense of my point of view.
My revision methods are chipping things away and moving them around and trying to get things right. I'm also open in my own writing to failure. I want to fail. I want to go to a place where I don't know what I'm doing, where maybe I'm lost. And in that uncertain space, I make decisions, and I know all those decisions are going to change everything else. And at a certain point, you just come to a place of rest. In revising, you reduce your options so that nothing is possible, and you just think, I can't change this anymore because I've already passed that decision point.
?When you point your finger at someone, anyone, it is often a moment of judgement. We point our fingers when we want to scold someone, point out what they have done wrong. But each time we point, we simultaneously point three fingers back at ourselves.
How hard could it be? Is it really going to hurt? You get into that deep well of emotion if you are by yourself. Why am I here? What's the point of going on? If I can't do what I want to do, then what's the point?
If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.
I don't feel like my work is impersonal - it is, in many ways, a reflection upon me - but that's ultimately not the point. I'd rather each piece be seen as part of a larger experience, and that each installation be approached as a point of departure. As open as I am trying to keep things in my practice, I want the audience's experience to be as well. That's what keeps things existing.
You reach a point when you say to yourself, 'Do I want to keep doing this?' There are other things on my plate I want to do - I've been writing a play; I've been neglecting my standup.
There was a certain point in my life where I had to decide that I was going to take my future and Nicole's and not wallow in what happened to me because when you do that, you just keep repeating what's been happening and at some point you have to make a choice.
It seemed like the right time. You reach a point when you say to yourself, ‘Do I want to keep doing this?’ There are other things on my plate I want to do — I’ve been writing a play, I’ve been neglecting my standup.
If you really want to make a relationship work, at some point in time, you're going to have to make some sacrifices and do some things that are a little bit uncomfortable.
['March'] is a path you must take if you want to move from one point to another point. If you want to make it down this very long and troublesome road, follow this path. Follow this message. Follow this map. And you will get there some day.
I want to work with great directors. I want to work on good material with good actors. I've probably done 20 movies at this point and a lot of independents. It's been an incredible ride and I love it and I'm just going to keep going and doing what I'm doing.
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