A Quote by Nick Hornby
With 'Brooklyn,' I knew the story I wanted to tell, and I just had a very strong sense that if I turned the volume up a little bit, it could be something really special.
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I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
I really like Braun Strowman. I would turn the volume down on him just a little bit. I think he is a little bit overly animated, and he doesn't have to be. He is already a larger than life character when he wakes up and has a cup of coffee.
I always wanted to do something I knew I could love to wake up and do every day, and rap was just second nature to me, growing up in Harlem. I never really had to try.
Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes. It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity. That sort of turned me on.
I can work as a writer, but I wanted to do stand-up. And I knew I could, at worst, work as a stand-up. And I like to travel, and I knew I wanted to do an hour special, so in order to get ready for that, I had to hit the road.
When I first met Kate I knew there was something very special about her. I knew there was possibly something that I wanted to explore there. We ended up being friends for a while and that just sort of was a good foundation. Because I do generally believe now that being friends with one another is a massive advantage. And It just went from there.
I must. I have fought my last battle. When I saw the Clan at Sunningrocks, the strong helping the weak...and I knew you and the others had gone to confront the pack...I knew my Clan was loyal. I knew StarClan had not turned their backs on us. I knew...I knew that I could not leave you to face the danger alone.
I knew I wasn't soft. I knew I could play on this level and I knew that being in the paint was just a physical position that I wasn't strong enough for. I wanted to get myself strong enough where I could be dominant down there.
I've always known that I've wanted to write, but I always saw myself doing that in the context of something other than film, so it was a really beautiful and kind of perfect moment in my life when I realized that I could combine this idea of wanting to write and tell my own stories with the environment I had grown up in and knew well - that I could make film as opposed to writing being a departure from what I knew.
I didn't think it was going to be this fun. But everything just gets heightened when you have a baby. The volume gets turned up on life. I never knew I could be this happy, and that's the truth.
I went to my friend's house one day, and he had an electric guitar he had just bought with a tiny little amp. I turned the volume up to 10 and I hit one chord, and I said, I'm in love.
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
We were brought up Protestant, and I went to church three times a day on a Sunday. My parents weren't Bible-bashers, but we all have a strong belief in God and a strong faith. We had a huge garden; our house was a bit like a scene from 'The Good Life.' I think Mam and Dad had it really hard, bringing up a big family on very little.
I knew I wanted to play 'Dr Cox' really bad, which is always a huge mistake because as soon as you want something really bad, maybe you rip up a little bit.
I've often made revisions at that stage that turned out to be mistakes because I wasn't really in the rhythm of the story anymore. I see a little bit of writing that doesn't seem to be doing as much work as it should be doing, and right at the end, I will sort of rev it up. But when I finally read the story again, it seems a bit obtrusive.
No sooner had he thought this than he realized what was anchoring his happiness. It was purpose. He knew what he wanted to do. He knew the way he thought things should be, and Mr. Harinton was proving that other people--even adults--could feel the same way. Nicholas had something to aim for now. He might not know what he wanted to be when he grew up, but he knew with absolute certainty how he wanted to be.
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