A Quote by Nick Hornby
Lots of times when I'm offered things, I can't see how a story gets filmed. Either it's too internal or it doesn't have a strong spine.
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'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story.
Since I was a kid, I've liked to see how things are done. Sometimes when you see how things are done, it's like watching a 'making of' within the story. You see the physical aspect, the construction of things.
I don't get any parts I don't get offered. There are lots of great things out there I would like to do that I don't get offered.
Make lots of noise
Kiss lots of boys
Or kiss lots of girls
If that's something you're into
When the straight and narrow
Gets a little too straight
Roll up a joint (or don't)
Just follow your arrow
Wherever it points.
In France, I have lots of opportunities. Maybe now I'll be offered films in America. It's the encounter, with the director and the story that counts.
Competition between men is a fuel that's useful to us. We have to be careful that it doesn't tell the same story over too many times, but it's amazing how durable that story is.
There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story.
A lot of times the best trailers are for complete dogshit movies. It's a shame that people are beyond quick to judge things these days. Lots of great stuff gets lost that way.
A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."
For me, each of SNSD members is like my own body. If one gets hurts or hears bad things from someone else, it hurts me and pains me even more. And you know, it's impossible for only good things to happen to someone, so there will always be difficult and hurtful times; but during these times, I'm thankful that we're each other's supports and each other's strength. I hope in the future, we'll continue to lean on each other and be strong for each other. Also, when we need encouragement, we'll continue to look for each other too.
People have suggested that perhaps we are too affluent to be telling this story, which is amazing to me because then I wonder what story I am allowed to tell. Having been working with the homeless for the past years, I noticed lots of things about them, but one thing I really noticed was that they were probably too busy just getting though the day to make a film about themselves.
For a song cycle to work, you have to feel these things when you hear them and you either have an emotional reaction to it or you don't. The plotline is something that gets woven together in the back-story.
I do like low interest rates. I'm not making that a big secret. I think low interest rates are good. I like a dollar that's not too strong. I mean, I've seen strong dollars. And frankly, other than the fact that it sounds good, lots of bad things happen with a strong dollar.
You see, when I go on stage I perform with just a guitar and you have to have very strong material to hold an audience from getting bored or restless. One strong way of doing that is the story because everybody will listen to a story.
I'm either offered window-dressing parts in large movies or little art films no one ever sees. People think the movies I end up doing are my real choices. I do the best things I'm offered.
We have learned to turn out lots of goods and services, but we haven't learned as well how to have everybody share in the bounty. The obligation of a society as prosperous as ours is to figure out how nobody gets left too far behind.
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