A Quote by Nick Hornby

With movies, it always feels like such a long shot getting it made. — © Nick Hornby
With movies, it always feels like such a long shot getting it made.
I just love the hours of the theatre, I love the way it operates. I always say that when you're doing a play it's like getting a shot of B12, and when you do television for a long series you need a shot of B12.
I think it is always a long shot getting a book made into a film. Making that book into a film is going to be quite a challenge.
We're a country of many different cultures, and that's always what has made this country stand out. It almost feels like making diverse movies is the most American thing you can do.
Nothing wrong with people getting shot, as long as it's the right people getting shot.
Does anyone remember who shot Kubrick's movies? Do you remember who shot David Lean's movies? No one remembers who shot 'Dr. Strangelove' or 'Barry Lyndon.'
Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader.
I don't find movies interesting. I just want to do the movies that made me interested in getting into movies, and they're few and far between.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.
L.A. is a long shot city, and those who make that shot - you can tell. You can see very clearly who's made it and who hasn't.
A long-playing full shot is what always separates the men from the boys. Anybody can make movies with a pair of scissors and a two-inch lens.
Most people are interested in seeing 27-year-old women who are in movies somehow connected to sex. It's interesting to everyone. Especially little movies that are having trouble getting made, there's always sex.
I'd go fishing and always pretend I would catch the biggest fish. I'd stay out there for hours after everybody else left until I caught something. When I shot baskets, I was always the coach and star player and always made the winning shot.
There's always SOMEONE in support as long as he can be assured or he himself feels confident of getting, in return, SOMETHING beneficial of any sort.
When you cut from a long shot to a close shot, you're doing it for a reason, or if you let something stay in long shot for a long take. On the short films, I was teaching myself how to express something personal cinematically, how to use the language of film the best I could.
The corporate system dictates what gets made, and the movies are so bad because of the economic structure of Hollywood. The big business takeover of Hollywood is at fault rather than American storytellers - it's what keeps textured movies from getting made.
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