A Quote by Nick Joaquín
Identity is the history that has gone into bone and blood and reshaped the flesh. Identity is not what we were but what we have become what we are at this moment.
Related Quotes
My son, you are now flesh of our flesh and bone of our bone. By the ceremony performed this day, every drop of white blood was washed from your veins; you were taken into the Shawnee Nation.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
Our identity was bestowed upon us by God and when humanity rebelled against God, we were divorced from the source of our identity. In this vacuum, work can wrongfully become the source of our identity wreaking havoc on our lives and work. Work was never meant to carry the weight of our identity.
Our tissues change as we live: the food we eat and the air we breathe become flesh of our flesh and bone of our bone, and the momentary elements of our flesh and bone pass out of our body every day with our excreta. We are but whirlpools in a river of ever-flowing water. We are not stuff that abides, but patterns that perpetuate themselves
One of the things that we've got to understand... is that politics of identity has never gone away. And where people have had a strong identity, geographically, culturally, in terms of their employment... if that's gone and not being replaced by something else, then I think the right-of-centre's got to wake up to that.
We as women know that there are no disembodied processes; that all history originates in human flesh; that all oppression is inflicted by the body of one against the body of another; that all social change is built on the bone and muscle, and out of the flesh and blood, of human creators.
I liked beaches, swimming pools, and clinics for there they were the bone of my bone, flesh of my flesh. I pitied them and myself, but this will not protect me. The word and the thought are over.
We are undermining a generation's happiness by depriving them of national identity, religious identity, and gender identity
To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
I was examining what religious identity meant in Africa. Along the edge of the Islamic world, what patterns were shaping identity? And the truth is, when I looked at the rise of violent forms of religion, no single identity was prevalent. It's central to note that in Nigeria, that tree is rooted primarily in Christianity. It's not just Islamic militants in the Middle Belt.
We have taken a physical identity so that we may express our divine identity. And every moment in our life provides us with an opportunity to do that.
The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.
As I see it, our revolutionary task is to destroy phallic identity in men and masochistic non-identity in women--that is, to destroy the polar realities of men and women as we now know them so that this division of human flesh into two camps--one an armed camp and the other a concentration camp--is no longer possible. Phallic identity is real and it must be destroyed. Female masochism is real and it must be destroyed.
Society imposes an identity on you because of the way you look. Your struggle as a self has to do with an identity being imposed on you that you know is not your identity.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
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