A Quote by Nick Jonas
I'm not going to lie about it. I carry a satchel too. It's like a man purse. It's a whole thing.
Related Quotes
That's a beautiful purse. I carry a satchel.
Musicians in my day had nicknames. My name was "Satchel Mouth," like a doctor's satchel. When I went to England this fellow was strictly English, and he was editor of the newspaper there. He shook my hand after I got off the train and said, "Hello, Satchmo." So right away my trombone player said, "Mmm, the man thinks you have mo' mouth than Satchel Mouth." So I was stuck with it, and it turned out all right.
It's where I keep all my things. Get a lot of compliments on this. Plus it's not a purse, it's called a satchel. Indiana Jones wears one.
If someone's intimidated by me, that's something they have to deal with. When I walk down the streets of New York and an old woman grabs her purse when I pass by, I'm not going to give it a whole lot of energy because I'm not in the wrong. I'm a millionaire, and I'm not thinking about grabbing an old woman's purse.
I'll not meddle with it; it is a dangerous thing; it makes a man a coward; a man cannot steal, but it accuseth him; a man cannot swear, but it checks him; a man cannot lie with his neighbor's wife, but it detects him. 'Tis a blushing, shame -faced spirit, that mutinies in a man's bosom ; it fills one full of obstacles; it made me once restore a purse of gold that by chance I found; it beggars any man that keeps it; it is turned out of all towns and cities for a dangerous thing; and every man that means to live well endeavors to trust to himself and live without it.
I know who's the best pitcher I ever see and it's old Satchel Paige, that big lanky colored boy. My fastball looks like a change of pace alongside that little pistol bullet ole Satchel (Paige) shoots up to the plate.
I am not a difficult man by any stretch, and I'm saying that with a full and honest inventory going on. I'm not. And I'm not angry on stage. There is a heightening. There is an intensification of the feelings on stage in order to let them carry the room. There is a theatricality about it. The whole thing is oratory, so there's persuasion involved. There's the art of rhetoric involved. And so, with hyperbole and with the desire to really punch the thing home, some of it reads a little more angry.
Your history's not going to go away; it isn't the same thing as dirt on the floor or paint peeling off the walls; it's not going to be solved in that way. It's more like learning how to carry it, to contact it, to see it. Because it's based on the psychology of the normal, the therapist is part of that too. And so they too are working with those very same processes. And so it requires a therapist just to see the value of it and to be willing to look at their own difficult emotions and thoughts and find a way to carry them gently in the service of the clients that they're serving.
I don't carry a purse when I fly because I have my Hello Kitty carry-on. I'm the biggest adult supporter.
I love Kashi. I eat cereal like a little kid. I carry it in my purse.
Everything is an illusion; that is the whole thing about it - illusion, immitation, a mirage. It makes me too sad. Its having like a good dream, you know you are going to wake up.
If I was influenced by anything, it was architecture: structure having to do with logic. If you don't do it right, the whole thing is going to cave in. In a certain sense, you can carry that to graphic design. Fortunately, however, nobody is going to die if you do it wrong.
Let's put one lie to rest for all time: the lie that men are oppressed, too, by sexism-the lie that there can be such a thing as men's liberation groups.
It always felt like you were trying too hard to look like the audience or something. That whole thing about the artistic integrity, which, of course, I've never bought into - with any artist. It's just not a real thing.
You can't think about what you're going to do. It just gets in the way. You have to be just available for life, otherwise you're not bringing anything to the party. So I don't lie awake thinking about what I'm going to do workwise. There's just too much going on.
I think for a lot of artists, if you're lucky enough to have a kind of career, especially toward the end, you start to think about what the whole ensemble looks like. It's the whole that counts. The parts are given, but you don't know how the whole thing's going to look when it's all put together.
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