A Quote by Nick Jonas

Quality. That's the key. Everything I do, I want it to have that stamp that people like Jay Z, for instance, have on all the things they touch. — © Nick Jonas
Quality. That's the key. Everything I do, I want it to have that stamp that people like Jay Z, for instance, have on all the things they touch.
There are some people who have the quality of richness and joy in them and they communicate it to everything they touch. It is first of all a physical quality; then it is a quality of the spirit.
I've been on 'Jay Leno,' and everyone likes Jay, but being on that show is a really boring afternoon. I sincerely like Jay, but I wouldn't want his job, because I'd have to interview Kathy Ireland, and there's nothing there I'd want to know.
Dreams, memories, the sacred--they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.
Eventually everything connects - people, ideas, objects. The quality of the connections is the key to quality per se.
If you want to be a leader who attracts quality people, the key is to become a person of quality yourself.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
Hip-hop is always what's the coolest, and people want to touch that. A lot of the Pop artists always want to get that stamp of approval and be down.
Music changes, life changes. It's like Jay Z said: 'If people like the old Jay, then go listen to the old Jay.' I always heard that, but never understood it.
We suffer the stress of infinite opportunity: There are so many things that we could do, and all we see are people who seem to be performing at star quality. It's very hard not to try to be like them. The problem is, if you get wrapped up in that game, you'll get eaten alive. You can do anything-but not everything. The universe is full of creative projects that are waiting to be done. So, if you really care about quality of life, if you want to relax, then ... control your aspirations. That will simplify things. Learning to set boundaries is incredibly difficult for most people.
A jay hasnt got any more principle than a Congressman. A jay will lie, a jay will steal, a jay will deceive, a jay will betray; and four times out of five, a jay will go back on his solemnest promise.
What I want to do is make things that I think people want to watch. I'm a film fan, so I think I'm in touch with other film fans and that they might want to watch stuff. The other reason I really don't care is because no matter what you do in life, no matter what you wear, or what you say, people are going to like it or they're not. And that is all. Everything, down to the socks I chose today - people are going to like them or they're not and there's nothing you can do about that.
I like to make people laugh. That's for sure. And I really like to humiliate myself and go very far in derision and stuff. But no, I like everything. I started a little bit of doing drama, too. I like that, too. I guess I just want to touch everything.
I've tried everything but celibacy, and I really want to know what it feels like to be touched by someone with a mental touch and not a physical touch.
Just make up your mind at the very outset that your work is going to stand for quality... that you are going to stamp a superior quality upon everything that goes out of your hands, that whatever you do shall bear the hallmark of excellence.
I love thinking about things subtextually and I actually - like for instance when I write, I actually, I'm not very analytical about it. I don't ever deal with the subtext because I just know it's there so I don't have to deal with it. I just keep it about the scenario. I keep it on the surface, on my concerns. And one of the fun things is is when I'm done with everything, like now, for instance.
If I gotta do a Jay-Z beat I want to stop everything. Tell everybody hold my calls, everything.
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