A Quote by Nick Kroll

Mel Brooks came to see Oh, Hello in L.A. Mulaney and I had a meeting with him, and we invited him to come to the show, and he saw the Oh, Hello show live in L.A. To me, he's the most famous person. Having him come to our show that was so inspired by both of us loving The Producers and all his movies.
No doubt there are people who are our guests [ in Oh, Hello] who are more famous, but to me, Mel Brooks is the most famous person. So that was really cool.
In America, celebrities who go to see your show will come backstage and introduce themselves. Meeting Annette Bening and Ethan Hawke that way was amazing, but when Tom Hanks came, it was really special - I've loved him since I first saw him in 'Big!'
Show us your Christ, Lady, after this our exile, yes: but show Him to us also now, show Him to us here, while we are still wanderers.
If there's any guy crazy enough to attack me, I'm going to show him the end of the world -- close up. I'm going to let him see the kingdom come with his own eyes. I'm going to send him straight to the southern hemisphere and let the ashes of death rain all over him and the kangaroos and the wallabies.
Mike is the craziest person. He's scattered; he's all over the place. When you hold him down and tell him, 'This is what you're doing,' he's fantastic. But you have to hold him down. Like, when he had to write his verse for 'Hello Nasty,' we had to take his phone away to get him to do it.
We must pray to God everyday to show we don't forget that all gifts come from Him. But if some wishes remain unfulfilled we must show our confidence in Him, for He knows best.
[ Zero Mostel] would tell anyone anything, not to be impolite, but he'd show that he wasn't at all afraid of however much money that person [had] or whatever title they had in a company. It didn't scare him. Mel [Brooks] was very much the same way.
Just show him that I didn't need his apology, I guess. Show him that I was okay. Better than okay. I was happy, in spite of everything he'd done to me, and no, I didn't forgive him. God help me, I would not forgive him.
For here we are so blind and foolish that we never seek God until he, of his goodness, shows himself to us. It is when we do see something of him by his grace that we are stirred by that same grace to seek him, and with earnest longing to see still more of his blessedness. So I saw him and sought him; I had him and wanted him. It seems to me that this is and should be an experience common to us all.
[With depression] you get a real sense of shame, because your friends go, 'Oh come on, show me the lump, show me the x-rays,' and of course you've got nothing to show.
When you introduce a character and show him for the first time, don't show him fully lit. Don't show him one hundred percent to the audience. Show maybe fifty percent or sixty percent so the audience can fill in the dark spots.
You have to go in there and hit him. Show him that his tactics don't work. Bernard Hopkins is a fighter that you have to get straight to the point with. You can't lollygag and bullshit because that's his game. Being serious and doing my job throwing punches in the ring, that's my game. I don't come to put on a show for the people. I come to give the people a fight and give them their money's worth; give them real entertainment.
It makes him contemptible to be considered fickle, frivolous, effeminate, mean-spirited, irresolute, from all of which a prince should guard himself as from a rock; and he should endeavour to show in his actions greatness, courage, gravity, and fortitude; and in his private dealings with his subjects let him show that his judgments are irrevocable, and maintain himself in such reputation that no one can hope either to deceive him or to get round him.
On the brilliance of James Brown's dancing ? and the frustrations of bad camera-work on dancers:cers: I think James Brown is a genius you know when he's with the Famous Flames, unbelievable. I used to watch him on television and I used to get angry at the camera-man because whenever he would really start to dance they would be on a close-up so I couldn't see his feet. I'd shout "Show him! Show him!", so I could watch and learn.
That song [ "Proud of your boy" ] in particular, I sing towards the beginning of the show [Aladdin], and what it does is show his wants and needs at the beginning and what's motivating him and carry it throughout the show. It gives him layers and dimensions. He's a well rounded character and it's great.
I knew that Karimi would not come to the national team but invited him to show that I have no problem with anybody.
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