A Quote by Nick Kroll

The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.
I did stand-up for a long time, and I did classical theater. As much time as you could spend on a stage will always inform you and your job, as you evolve. I feel the freedom of being able to find comedy in the darkest moments because it makes it way more interesting, I think.
For me, the costume is 50% of everything. It informs posture, it informs flexibility, it informs the way you walk, it informs what the character is capable of doing, at any time.
Life is dramatic and comedic at times. Sometimes in the most dramatic situations, there is comedy. And good comedy comes from a sense of reality.
As an actor, you want to be able to move your character forward into new ground, but also it's really interesting to go backwards and unpeel those layers and the interesting elements of what your character is and what informs the decisions that you make so that you can have as much meat to work with.
As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama. When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.
I feel so fortunate to have been able to work so much, particularly in the horror-thriller genre, but I would love to be able to do something perhaps a little more dramatic or even a romantic comedy.
It's interesting because you feel on the one hand, we understand people from what the say, and in another sense, you'd think that you'd be able to convey more through dialogue.
For me, drawing is everything, because it informs everything. It even informs my poetry. It's the way I begin everything.
Sometimes the work can get in the way and you give a less-good performance, and sometimes it doesn't and you can really get to the heart of something. And all the other stuff is just interesting and adds another layer to your performance. It helps you find the reality. Because you're not just playing yourself, you know? That would be kind of boring.
Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life."
I consider my comedy to be dramatic comedy. I always wanted music underscoring the dramatic monologue. It was always drama with comedy, in my head.
I just like comedy in general. My film work, which has been at times more dramatic, has been satisfying. But I never feel quite as good and as light and blissful as when I'm doing comedy.
The name of my first comedy album was 'Raised by Cable.' Coming up and watching all of these weird movies on different channels was such an influence on me and an influence on how I do standup. It informs everything I do.
It's interesting how some songs really lend themselves to performance in a big public venue and performance by a band and so on, and so they're even more successful in that context than they were on the record.
Comedy has to be so much cleaner than drama. You can't layer it in the way you can a dramatic performance. Which is why it's more difficult than drama - you don't have so many tricks.
Technical garments for sporting performance will, I believe, simply become more and more fit for purpose and will perform better and better. What is perhaps more interesting is how this technology will cross over into the fashion mainstream. We already see this trend in everything from footwear to outerwear.
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