A Quote by Nick Kroll

I'm sure there are people who say like, "I was wearing weird emo eyeliner," but there's something pretty embarrassing about the jazz phase. — © Nick Kroll
I'm sure there are people who say like, "I was wearing weird emo eyeliner," but there's something pretty embarrassing about the jazz phase.
I've done a few costume dramas, and people say, 'What was it like wearing the costumes? Did they really help you with your character?,' and most of the time it doesn't make any difference. You're wearing something a bit weird, and it's sort of uncomfortable, but it doesn't really have a huge impact on the part that you're playing.
I went through a phase when I was 13 or 14: I would tweet emo things about my feelings and boys who didn't like me and mean girls in school.
I did have an emo phase. It was sort of like armor for me.
That's pretty weird—and when I say something's weird, you know it's serious.
I always used to say I'm definitely not a straight-ahead jazz singer, because then there's people who would hear what I do and say, 'Is it jazz? I don't know...' Whatever it is, it really comes down to creating music that makes people feel something.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
It's really important to like what you're wearing. It's pretty clear when I don't like what I'm wearing, and it's pretty clear if you got dressed for other people. Even if you're not looking the the best you can, or maybe your outfit isn't spot on, if it looks like you got dressed and you like it, you'll probably look cool anyway.
I would never do a commercial for something that is embarrassing, and I think that people maybe have a different perspective on what is embarrassing or not. Some people think doing a Revlon hair commercial is really cool. To me, that's embarrassing, but World of Warcraft - not embarrassing, very cool.
I would never do a commercial for something that is embarrassing, and I think that people maybe have a different perspective on what is embarrassing or not. Some people think doing a Revlon hair commercial is really cool. To me, that's embarrassing, but World of Warcraft: not embarrassing, very cool.
Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.
One of things about beards is that, when men reach a certain age, they'd like to see if they can grow one. It's a phenomenon I understand very well. After you get over the itchy face, you go, "Oh, I don't have to shave, that's cool." And then you move into the philosophical thing- people say, "You look weird, you have a beard." And you say, "No, actually, it's weird to shave." Having a beard is natural. When you think about it, shaving it off is quite weird.
Getting knocked out in your underwear in the Octagon is pretty embarrassing, but people are like, 'The guy he's fighting is really, really good, and he is a UFC fighter, so he can still beat up 99 percent of the world,' so it's not that embarrassing.
We don't live in a jazz world, unfortunately. I think if I had lived in a jazz world, I would have done OK. I'm not sure I would have done great. I'm a lover of jazz music, so I would have been happy, don't get me wrong. I go to jazz concerts like the biggest jazz fan in world. The drag is that I don't play jazz for a living.
I was recording my audiobook, and it's so weird. You write things, but then to have to say them out loud in front of people feels so different. So when I was recording my audiobook, I was telling an embarrassing story in front of, like, a room full of audio-tech people that I don't know, and I was like 'Oh my God, this is so cringe.'
Even though the hero of emo is Morrissey, the great song of emo is 'Love Will Tear Us Apart.' An emo soundtrack would introduce Joy Division's music to a whole new generation.
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