A Quote by Nick Kroll

They're not so much fans of independent movies are they are of independent theatres. They like small theaters with a vague, septic smell. They're not wild about the newfangled theaters with the assigned seating.
Miramax can buy a small independent movie that isn't very good, but because it has great relationships with different theaters, it can get into a big theater.
I would hope that the Government would still support those small, struggling independent theatre companies and also maybe look to the built architecture of the theaters because we can't let them get into disrepair. They are part of the fabric of the country.
The Globe is a missing monument. There's no existing example of a theater from Shakespeare's time. You have Roman theaters, Greek theaters, all kinds of theaters, but none in which the plays of Shakespeare, Ben Jonson and Marlowe were performed. Scholars feel that it would be of immense value to have one.
I don't like to go to theaters, because I don't like the way most people behave in theaters.
People will go to clean theaters; they don't like to go to dirty theaters.
I love the smaller clubs. I love the theaters. I love the festivals. There are things I don't like. At certain theaters, people can't get up and dance.
I'd skip school regularly to see movies - even in the morning, in the small Parisian theaters that opened early.
When independent films break through and actually make it into any level of mainstream-ness or get seen by people or find a life actually in theaters, it's extraordinary. And it doesn't happen that often.
For me, the movies I like are all independent. And getting an independent feature made, it's like you get down to the selling organs part, and it just loses some of its luster.
I don't really like doing big stand-up. Whenever I do theaters, I don't like 'em. I don't think they're right for stand-up. I've seen people in theaters, and it just doesn't work, because you're talking to the guy next to you the whole time.
A lot of times, mainstream critics are much tougher on small, independent movies because they can be.
As much as we love playing the small clubs, we'd really like to get ourselves in front of a larger audience. I'm not talking about arenas or anything, but nice theaters and larger clubs.
Studio movies are looking more like independent movies and independent movies are looking more like studio movies, and I think cinema is better now because of it.
Movies aren't normally, necessarily viewed by a community of fans, and we thought if we could take the energy we see at our live performance and inject that into theaters, it might be a special thing.
My uncle Les Dolliver was a partner with the Nasser brothers, who owned a string of theaters in San Francisco, and also supplied motion picture projectors and seats for theaters. So I was always around theater people.
When the digital world is really here, movies can be disseminated from satellite direct to homes and direct to small theaters in Mongolia and northern Russia and obscure places that the market for movies is going to grow and grow and grow.
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