Mel Brooks and Carl Reiner are the funniest dudes ever, and they have great careers on their own. They made great art in the '90s, and they still have dinner three times a week.
I was always a big fan of Mel Brooks and Carl Reiner's '2000-Year-Old Man' sketch. I think it's one of the biggest influences on the podcast, definitely. You'd never say Carl Reiner was the funniest dude on there, because he's just teeing it up, but he knows what questions to ask to lead to great improv.
Id like to acknowledge three people who early on knew Mel Brooks was one of the funniest people in the world: Sid Caesar, me, and Mel Brooks.
I mean I would still love to be in Mel Brooks' movies; he's great.
Well, you have your regular classes, like three hours every other day, three times a week. You get twice a week to have an ice practice. Once a week you have weight lifting. It was great.
The person who should really write an appreciation of the late great Dom DeLuise is Burt Reynolds, who, even more than Mel Brooks, made of the jolly, beanie wearing fat man a side-kick and a legend.
I was thrilled to work opposite Carl Reiner and Robert De Niro. Mr. Reiner was very chatty and delightful, but I learned that if you want Robert De Niro to like you, don't speak at all, and he'll be friendly to you.
I was reading Carl Sandburg and Gwendolyn Brooks, and I'm still very, very deeply moved by Gwendolyn Brooks's life and her work.
Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.
Carl Reiner is perfection.
You don't need a high concept to make a great film, of course. 'Withnail & I' is not - it's probably not much on paper, but it's one of the funniest films ever made.
I was miscast in that production [of Mother Courage and Her Children] ... but it was with Anne Bancroft, whose boyfriend at the time was Mel Brooks, and that made my - I can't say my day, it made my life, in a way.
Did not the artists of the great age of Japanese art change names many times during their careers? I like that; they wanted to safeguard their freedom.
I have performed my one-man show '700 Sundays' over 400 times now. There were only two times that I can honestly say I was nervous. The first was when I knew Mel Brooks was in the audience, and the second was when Sid Caesar came.
Great art comes from great artists. There’s a bunch of people that are hurt that still couldn’t have made the album that was super-polarizing and redefined the sound of radio.
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.