A Quote by Nick Kroll
You have to have a first job to learn how to act, do interviews, pose for photo shoots, and negotiate how you'll say lines with writers. My first network show, 'Cavemen,' just happened to be one that was culturally reviled.
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All I wanted to do was to perform my music, so I never really thought about photo shoots or music video shoots or interviews. You can't anticipate those things - you just can't plan this as a job.
In the States, you have the First Amendment. People feel the freedom to speak and the right to be heard. And they kind of push the message: "It's a free country." Everybody has the right to say whatever they want to say. But in the Middle East, culture is your guide. You have to ask, is it culturally okay to say something like that? Is it culturally okay, for example, to show a woman giving birth? As Arabs watching such a scene in an American film it's okay, but when it comes to the Arabic context, we're like, "How dare you?" So it's how you present it.
What you hear and what the research shows is that gentlemen negotiate for their first job. Women do not negotiate from their first job and on. And I tell women there is no H.R. fairy godmother. There might be, but you better not count on it.
I didn't realize how much the paint was going to affect how I moved and how I walked. And it wasn't something that consciously happened. It was because the first time I'd done it was a Tokyo Dome show, I want to say in 2013-14, and I walked out there, and I was a completely different person.
My first professional acting job was on 'Boss'. My first acting job was basically my first acting class. I had to show up on set prepared and knowing my lines. Also, I got a chance to work with a living legend, Kelsey Grammar - that gave me hands on experience.
We can say that Maud'Dib learned rapidly because his first training was in how to learn. And the first lesson of all was the basic trust that he could learn.
When you first hear about this guy (Stan Musial), you say, 'it can't be true.' When you first meet him you say, 'It must be an act.' But as you watch him and watch him and see how he performs and how he comports himself you say, 'He's truly one of a kind.' There will never be another like him.
As a network, they're not the network that usually picks things up after the first episode airs. They definitely have a methodology that they follow. But they're very happy with the show [Into the Badlands]and they're very excited with how it's performed.
When I did my first media interviews after I was announced as a team principal, the first question was, what qualifies you for the job? The second question was, did your husband place you in the role? And the third was, how are you going to do your job as a mother? I was speechless to think that we were not making any progress.
Everybody just wants to be famous first, and then maybe learn how to act.
We had decided to totally disappear from the media, to not do any interviews and photo shoots. Tom and I just needed time to ourselves.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
We're not just writers; we're readers probably more than anything else. That's how you learn how to write and how you learn to appreciate good writing: by reading.
How do you convince radio to play you? How do you make a good video? How do you pose for a photo session that conveys who you are? These are real challenges that if you get wrong in the real world, you're done.
With a first season, you never really know how viewers or the network are going to react to a show.
If you ask anybody about their life, usually the first thing they talk about is how their wife is doing, how their kids are, they don't usually say "My job, my job, my job". It's really true. It's usually about your family.
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