A Quote by Nick Kroll
The one place I've seen something really come together is in editing. Sometimes you can save pieces in a way that you're really shocked.
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Don't be afraid of vintage shopping. It's a really good way to save money. You are getting such great pieces at affordable prices and what you're wearing is never going to be seen on anyone else.
In the film industry you never really know if all the various ingredients will come together - sometimes they do, and sometimes they don't. As an actor, you don't have much control over those things. It's a director's medium in that sense. All you can really do is minimise the risks of being involved in something that might not work and look for something that also suits you.
If this really is true, then greed really isn't good, after all. It really isn't the way to maximize the best possible outcome. We really do need to come together and act collectively. Government isn't always the problem. It's sometimes the solution. And, so their whole intellectual scaffolding collapses. So, they'd rather deny the science.
I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.
Sometimes one of us will have a riff or a bass line from home but it really gels when we come together. We really have a strong special chemistry that we take advantage of when we get together.
Everybody wants to come out and win the gold, and sometimes it takes a personal best, sometimes it doesn't. But to be able to have all those pieces come together, it's a great feeling.
With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are.
In life, sometimes everything falls into place, and sometimes everything just falls to pieces. The key is to begin creating with these fallen pieces. By improvising, you'll create something magical that might be the best thing you've ever accomplished
I think this is exactly where the action is, is in the middle. I have seen it when I was governor of the state of California. I have seen it firsthand, that the only way we brought Democrats and Republicans together, we could really solve very important issues. I remember that's how we really started rebuilding California and invested $60 billion in infrastructure.
I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.
To me, you can't win. You can't win. There's a war in Iraq; there's no way that they're ending that. The war in Afghanistan is still going on. There's no way that's going to end anytime soon. You can complain about it, you can throw rocks at it, but you really have to come to the conclusion that this is a really twisted place sometimes and some stuff you're not going to win.
Sometimes the most difficult thing you can do as an editor is not make a single note - the idea that everything and everyone needs editing is, in reality, a fiction. I've gotten pieces where I thought, Well, I could do this or that, or change this word, but in the end, I leave it. Changing something is not necessarily equivalent to making the piece more true to itself, which is the point of editing: it's just changing it because you feel you can or should or must.
I guess I'm a really analytical person, but when I'm writing, all that stuff goes behind a screen. Analysis and taking things apart is really important and really interesting, but it's the direct opposite of creating something, which has to do with taking things and putting them together and hoping to make something unique that's more than the sum of its parts. And you can't do that with analysis, you can only take things into smaller and smaller pieces.
When you come across something, and its quality is just outrageous, that's probably something of value. It's been that way for hundreds and hundreds of years - the really, really expensive stuff is also really, really high quality.
Before I do anything, I think, well what hasn't been seen. Sometimes, that turns out to be something ghastly and not fit for society. And sometimes that inspiration becomes something that's really worthwhile.
During the preproduction when I'm shooting and then once we wrap we go away. And then the visual effects guys take over. And then they add all those little bits and pieces. They come up with ideas during the cut in the editing, and they said while would be really cool if we did this thing here where the blade pops out. So then you see the movie and say wow that's a really neat idea. I wish we would have thought of that.
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