A Quote by Nick Kroll

When I first got to New York, Comedy Central was the only place to go if you weren't on HBO or network. And then FX, Adult Swim, and other sort of ventures came up, and all of a sudden there were other places to go, and I think Comedy Central is making a concerted effort to become a place where smart, funny weirdoes can come and do their stuff.
In other places, especially in Boston, it's like a place where comedy gestates. People come out of there that are fantastic, but you have to come to New York or L.A. to quote unquote 'make it.'
Once you click into a character, to a certain degree, you can do a lot else. You can do other stuff, then come back and click right into the character. It's sort of funny that way, the way the mind works. Once it's there, it's sort of there. For the stage, for example, all through the day, you're not onstage. You're living your life, la-la-la, then the lights go down, then boom! All of a sudden, you're in this thing. There's a kind of reflex muscle trigger that happens, and all of a sudden you're back into the role. It's just getting there in the first place that's tricky.
Something about New York, man: You can do more comedy there probably than you can anywhere in the world. If you're interested in being funny, New York is the place to go.
Basically, I was always very interested in comedy, but I was much more sort of academic. And then, after college, loaded with my art history degree, I decided to go work at Comedy Central as a temp.
It's funny because I think a lot of it is simply... We've never considered ourselves satirists, but because we're on Comedy Central and because we're South Park on Comedy Central, we can do any topic we want.
A lot of female comedians will go up there in a sweatshirt and Converses, trying to dress themselves down, because it is sort of a boy's club. I'll go up in my heels. I like that people don't think I'll be funny. I'll take that on. I don't do standup comedy - I do standup and I do comedy, but I don't go up there and do jokes.
I'm a student of Comedy Central. It launched careers: Wanda Sykes and even Kevin Hart. The first time I was introduced to him, he was on Comedy Central. It puts you on the map... Hollywood knows now.
Comedy Central was a great network, but 'Chappelle's Show' took it to a completely different level. Other shows got bigger because so many viewers were watching the 'Chappelle' reruns. For BET, the 'Real Husbands of Hollywood' has that same potential.
'Smart Funny & Black' came about because I felt that black comedians were being considered as only capable of a certain type of comedy - sort of physical, kind of silly - and I felt like we are not a monolith, and our comedy isn't, either.
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
I say to my colleague from New York that if someone who has a concealed carry permit... in the State of South Dakota that goes to New York and is in Central Park - Central Park is a much safer place.
Central banks are choosing to increase their gold holdings as a percentage of total reserves. They obviously think there is a reason to do that. It doesn't make sense to back up one currency with a hoard of other paper currencies. There needs to be a real anchor there. I think that central banks are well behind the curve. If you look at the percentage of above-ground gold controlled by central banks, it's historically low. Hence the fact that central banks are trying to increase their holdings. They've got a long way to go to get where they need to be.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
My friend and I founded the New York Arab-American Comedy Festival to counter the negative images of Arabs in media. And we always made sure that the comedy came first. So we weren't a bunch of Arabs trying to be funny. We were a bunch of comedians who just happened to be of Arab heritage.
I wanted to move on. I wanted to do acting. The next thing I did after [MADtv] was a good hybrid of that. I did this show with Bob Odenkirk and Derek Waters (creator of Comedy Central's "Drunk History") and it was a little homegrown thing that we shot and then we sold it to HBO. We made a pilot and HBO didn't pick it up, but then we made all these webisodes. This was before streaming stuff online made any sense. (The episodes are available on YouTube). Nobody even knew how to watch things on the internet.
I think all the funny people were bullied. When they talk about outlawing bullying, it's like, what? You want no Comedy Central?
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