A Quote by Nick Kyrgios
Some players out there don't really interact with the crowd - they're really serious - but I think it's part of my personality as well. I go out there, and I like to entertain. I like to put on a bit of a show.
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I may go back and spice it up with a little bit of the tool stuff and grunting and all that that I know so well. But it feels like I'm rehashing old material. And some of my audiences like that. So I'm there to entertain. I'm not there to make a political statement or anything like that. I'm there to entertain.
We care if people like what we did. If you're just making records for yourself, why put them out and do all these interviews and do touring? I'm a huge music fan, and this is what I do with my artistic time. It's all I really do, except hang out with my family. I value human relationships, and it's a way for me to interact with the world and feel like I'm part of something.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
I think it's important to find someone that you really like as well as love. When the infatuation runs out, the first phase of the relationship changes. You really have to be able to say 'I like to hang out with you. Let's keep hanging out.'
I've always really, really wanted to go to Egypt and go inside some pyramids and just hang out there. I don't know why. I don't like hot weather, and I don't like the desert, but something about the pyramid and the mummies and all their history there, I'd love to go check it out.
I have a little bit of an out-of-body experience where I enjoy the scenario, and I really do like seeing a crowd turn into a mob, and I do nothing to stop it. People can become really dangerous.
I think that connection with humans is so important. Sometimes I'll do this monologue and talk to the crowd, like, 'Come on, let's really connect here.' I don't think a lot of people understand it's a two-way exchange. Some people go to a show and are like, 'Yeah, you make me feel.' That's not how it works.
You're out there to perform. You're out there to entertain. Whatever position that you're put in, be it a heel or a babyface, go out there steal the show.
I would like to do some serious drama. I really connect with emotional characters who have struggles and a lot of emotion and colors. I don't really want to do anything smiley and cheesy; it's not really my personality when I'm working.
I go into the crowd almost everyday and I really really really despise it when people try to steal my shoes. That is a thing where they're proabably like 'oh, you can just go out and buy a new pair'. Like yeah, but those are my shoes. How would you feel if I tried to steal your shoes?
Well, it wasn't really a decision on my part although you always hope as an author that a book that goes out of print somehow winds up back in print. These days publishers like to put out-of-print books into e-book form, but I really wanted to do an update.
Some of the money from the senior players goes to helping out the younger kids. It is from the players' pool, the fines for being late and so on. Some will go to something like the tsunami appeal and some to helping out young players.
I don't really have a career as a jazz musician. I don't really have a career as a classical musician. I don't really have a career as a college professor, and yet I did all those things and I did them well. I put out some records in the 1980's and 1990's that changed the way some trumpet players played.
My writing has to excite people and depict or include their experiences. That's part of my process - to go out and interact with people. It's very much like an archival process. I understand that the Brothers Grimm would go out and get people talking so they could document folk tales that weren't being documented any other way. I try to offer a little bit of myself - some experience from my life that evokes stories in other people.
I was 14, when I wanted to be an actor. My parents were basically like, "This is a very hard life, and you have to be really serious about it, and show us that you're serious about it. You can't drop out of school." They strongly encouraged me not to act professionally until I finished college, which I didn't. And I think they should have been horrified! It's a really hard life. I'd be really scared if I had a child who wanted to be an actor.
I really like baking, and I really like playing video games. I saw a few geeky baking blogs but I never saw a show on television or on the Internet like that. So I thought, 'Why not be the first to try it out?' And it went really well.
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