A Quote by Nick Littlemore

You end up making a home in every place you're at, in a small way. In any way you can find a kind of mindfulness. — © Nick Littlemore
You end up making a home in every place you're at, in a small way. In any way you can find a kind of mindfulness.
Every small business will give you an entrepreneurial way of looking at things. I guarantee you that for every plant that closes, if you gave it to one small-business person in that community, he or she would find a way to make it work. The small-business attitude is you always find a way to make it work.
I had ambitions to set out and find, like an odyssey or going home somewhere, set out to find this home that I'd left a while back and couldn't remember exactly where it was, but I was on my way there. And encountering what I encountered on the way was how I envisioned it all. I didn't really have any ambition at all. I was born very far from where I'm supposed to be, and so, I'm on my way home, you know?
...there's no such thing as sustainability. There are just levels of it. It's a process, not a real goal. All you can do is work toward it. There's no such thing as any sustainable economy. The only thing I know that's even close to sustainable economic activity would be organic farming on a very small scale or hunting and gathering on a very small scale. And manufacturing, you end up with way more waste than you end up with finished product. It's totally unsustainable. It's just the way it is.
I find that deadlines form part of the aesthetic. I don't have that "It could only have been this way" kind of thing. I tend to rewrite it and say that after the fact, but on the way there, there are just some routes that you have to give up and make decisions, and that decision-making I find torturous. But I'm used to that torture.
The practice of soulful travel is to discover the overlapping point between history and everyday life, the way to find the essence of every place, every day: in the markets, small chapels, out-of-the-way parks, craft shops. Curiosity about the extraordinary in the ordinary moves the heart of the traveler intent on seeing behind the veil of tourism.
What makes most people comfortable is some sort of sense of nostalgia. I grew up in a small town, and I could count my friends on one hand, and I still live that way. I think I'll die in a small town. When I can't move my bones around a stage any more, you'll find me living in a place that's spread out and rural and spacious.
If you're making things at home, there is no structure - no end, no beginning. So releasing stuff is a really nice way to have dividers in between what you do, and giving yourself a kick up the ass and saying, "OK, that's the end of that period."
Not to be able to move around or do things without thinking - that's tough. I may end up that way, but if I do, I hope to hell my intellect will take over, and I'll find some kind of joy and a way to contribute.
Debating the best way to do something we shouldn't be doing in the first place is a sure way to end up in the wrong place.
The way an old dog finds his way back over miles and miles to his home when somebody trues to shove him off on a farm someplace, that is how I find my way back to the library. It's my place, even more than my place is.
Take the Long Way Home is a song that I wrote that's on two levels - on one level I'm talking about not wanting to go home to the wife, 'take the long way home' because she treats you like part of the furniture. But there's a deeper level to the song, too. I really believe we all want to find our true home, find that place in us where we feel at home, and to me, home is in the heart. When we’re in touch with our heart and we're living our life from our heart, then we do feel like we found our home.
Adventure is where you find it, any place, every place, except at home in the rocking chair.
Every time that I'm in the dark, I imagine what might be lurking in the shadows. It's kind of like a drug in that way - darkness seems to change the way I think - making me way more prone to fear.
There's no one 'right' way of making a science fiction movie; there's no one way of making any kind of movie, really!
When I was four, my mother insisted I get out of the car and find my own way home. Although I got lost, I did find my way home. It taught me the value of independence at an early age.
When I started off with Trainspotting, it was the way the characters came to me. That's how they sounded to me. It seemed pretentious to sound any other way. I wasn't making any kind of political statement.
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