A Quote by Nick Lowe

To a certain extent, yes, we do. But there's - but there's a very limited menu. There's only about sort of 20 songs that you hear on rotation. — © Nick Lowe
To a certain extent, yes, we do. But there's - but there's a very limited menu. There's only about sort of 20 songs that you hear on rotation.
To the very limited extent that I have a political consciousness, to some extent I'm a lazy, apolitical sort of guy that just flits around.
Babbo's menu is only four pages, but it's overwhelming - there are 20 different pastas in there, a lot of stuff. There is nothing I hate more than a useless, lazy menu with only three appetizers and four entrees.
For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.
I don't really premeditate what I write my songs about; you know, they just kind of happen, and I can't start writing songs to please a certain group of people or propagate a certain message all the time. That's just not how my songwriting works - it just sort of comes out, and the songs are what they are.
Then, at age 20, I discovered theater sort of by accident. Quite quickly, theater became more important to me than music. I began to realize that maybe my talents as a musician were quite limited, or had a ceiling to them, whereas acting seemed to sort of stretch before me. I got very passionate about it very quickly.
And that format was - we'd been using that format, I guess, since the late '70s, and it was starting to get very predictable. In other words, certain songs would surface in the same points in the set every so often; it was like rotation.
Song writing is about the male-female relationship. Yes, there are songs of, of brotherhood and politics but very rarely do we write about computers or, there are car songs, cars are cool. But even in the car songs, it's, ah, usually gets down to me and my baby and my car.
So when I write characters and situations and relationships, I try to sort of utilize what I know about the world, limited as it is, and what I hear from my friends and see with my relatives.
If I'm in the rotation, I'm in the rotation. If I'm not, I still will support the guys like I am in the rotation. But when I do get my turn, I definitely will make the best of it.
I just always wrote songs as a side hobby. So it was sort of a natural thing to write comedy songs. But when I started writing songs, I wrote very serious songs. Or things that a 13-14 year-old would think are very serious issues.
The business, task or object of the scientific study of languages will if possible be 1) to trace the history of all known languages. Naturally this is possible only to a very limited extent and for very few languages.
Fly Away changed my life. There are certain songs that do. When I won the Grammy, I was in Paris. I sort of forgot about it.
The world is going to end for each of us in a prescribed time, and you sort of understand that your time is limited at a certain point, and you want to get done the things you want to get done. You don't want to leave things undone, because you only have a limited amount of time.
Name ten songs you want to hear again before you die, get all of your friends together and scream them. Because right now all you have is time, but someday that time will run out. That's the only thing you can be absolutely certain about.
Most of the songs are, in a roundabout way, actually addressed to myself, there's a certain aspect of the songs that's very confessional, very unadulterated...It was a very unfettered, spiritual experience.
Yes, I've worked hard; and yes, I may have achieved a certain level of success-but I'm very clear about the fact that none of it would be worth it without doing the things that keep me close to God.
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