A Quote by Nick Lowe

I suppose I was waiting until I was old enough to have some sort of experience to sing about. When you're young, it's hard to sing the blues. Nobody believes you. — © Nick Lowe
I suppose I was waiting until I was old enough to have some sort of experience to sing about. When you're young, it's hard to sing the blues. Nobody believes you.
These is old blues / and I sing em like any woman do. / These the old blues / and I sing em, sing em, sing em. Just like any woman do. / My life ain't done yet. / Naw. My song ain't through.
I want to sing using a throatsinging style, like for example kargyraa, but at the same time sing it like a normal way. Maybe I will try some opera. To sing a melody, and to sing not only Tuvan traditional melodies, but I would like to try Western classics, blues. I think Tuvan music and American blues are very close to each other.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
Some people can sing, and they can sing sing, but Brandy can not only sing sing, but she has a voice and a tone that is unlike any other.
I don't think I ever sing the same way twice. The blues is sort of a mixed-up thing. You just have to feel it. Anything I do sing is part of my life.
The things we sing about are timeless. Political affairs and social situations come and go. But if you're singing about empowerment and not playing by the rules, you can sing about them until you can't sing anymore.
Society certainly encourages women to be victims in every way. I mean if we want approval, we have to sing the blues, even as singers we sing the blues.
The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.
Nobody told me how to sing, so I just thought I'd try and sing like Howlin' Wolf. It was like a bark; there was melody to it - but I would go off a bit and I wouldn't stick AutoTune on it or anything to make it in key. Even now, I couldn't tell you about harmonies. I couldn't tell about what notes I'm singing because nobody taught me to sing.
It's never hard to sing the blues. Everyone in the world has the blues . . .
I'm not a jazz singer, blues singer or country singer. I'm a singer that can sing rhythm & blues, that can sing jazz, that can sing country. There's a big difference. In other words, I'm not a specialist.
Even if you can't sing well, sing. Sing to yourself. Sing in the privacy of your home. But sing.
Actually, I know for a fact there are some young female artists who don't even sing on their own records and who don't sing live. And that is pathetic.
The words are the important thing. Don't worry about tunes. Take a tune, sing high when they sing low, sing fast when they sing slow, and you've got a new tune.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
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