A Quote by Nick Mohammed
I always seemed to appreciate the production value in a show, whether it was a rotating set or a costume that has a bit that flies off it.
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Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
Time flies. Time flies faster every year. Time flies whether you're having fun or not, whether you're living your life big or small, whether you surround yourself with fear or laughter.
The production pushes and pulls you as much as the song does. It's almost more to do with the production value of how each bit was done as opposed to the actual track itself.
I'm very interested in trying to make comedy shows that are a bit bigger, more theatrical, more of a "show." Some people might say I'm trying too hard, but that's a compliment to me. I like to inject a bit of production value and flair to comedy, or at least to my little corner of comedy.
I'm not saying anything to denigrate 'Criminal Minds'; that's a great show. I just didn't appreciate it anymore. I appreciate those people, but I realized my heart wasn't in and I needed to go because plenty of people would rip their arm off to be on that show, so they should be.
It's much, much harder working on a show than it is working on a movie. It really is. Even if you're in production, that production lasts for a set period of time. A TV show goes on for months and months and months.
When we were thinking of 'Westworld' and doing it with HBO, what they really showed us is that they have the ambition in their network, and they value production value as much as we did, and that that would be a perfect place to do a show of this scope and this ambition.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
I've always loved to dress up a bit and show off.
I had to take a break to set up my production company. Managing a production house is a different ballgame. It's not like signing a film and arriving on the set.
I've always been one for show business. I like performing, and I used to get criticized for having production value. But now it's all that! People need to get what they pay for! Otherwise, just listen to recorded music.
I like to think that at the end of a show, you can just take your costume off and go to the pub.
Halloween is all about being bold, daring, and creative! You get to be someone else for the night thanks to makeup and a costume. I pretty much do that on the daily, so I am not that big on Halloween, but I do appreciate a good costume and some incredible makeup.
This show [Timeless] is absolutely epic. I simply can't believe the production value for the episodes. Each episode is creating a new world. I just can't think of another television show that trumps the Hindenburg to the 1970s week to week.
Performing live on stage is such a community, whether it's my musicians or a cast of a show that I'm in. And then when you're in the studio or on set, it's a much more solitary experience. Both can serve me at different times in my life. And when I go back and forth from one to the other, it helps me appreciate all of them much better.
Once when I was standing at the base, they started rotating the set and a big, heavy wrench fell down from the 12 o'clock position of the set, and got buried in the ground a few feet from me. I could have been killed!
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