A Quote by Nick Nolte

I'd like to do one European film a year. — © Nick Nolte
I'd like to do one European film a year.

Quote Topics

African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
How can we later criticise other countries outside the European Union for adopting such measures to repress opponents when we are tolerating this inside the European Union with European citizens? Like me - I'm a European citizen.
European Union partners never said European Union partners're going to renege on any promises, European Union partners said that European Union partners promises concern a four-year parliamentary term, european Union partners will be spaced out in an optimal way, in a way that is in tune with our bargaining stance in Europe and also with the fiscal position of the Greek state.
What I'd really like to do is do a film or two a year and then do theater in New York the rest of the year.
Basically, I was a very serious film fan. I watched a lot of cinema and contemporary and European film.
I made a French film called 'Merry Christmas' which is a very European film. It's a World War I piece.
I made a French film called "Merry Christmas" which is a very European film. It's a World War I piece.
I definitely think the European weather has more of a factor than the European clay. I think the European weather changes from week to week, I mean, last year it was sunny and hot and this week it's kind of playing tricks on us a little bit. I definitely think that is a factor.
I am naturally extremely proud to be selected as European Ryder Cup captain for 2016, european Ryder Cup has been a massive part of my life and my career so to have the chance to lead Europe next year is a huge honor.
When I was in film school I had this great professor, Jerzy Antczak, a Polish filmmaker, and Joe Russo of the Russo Brothers were in my class. It was this kind of Easter European philosophy of motivating camera only through character and motions, and just exploring with lenses. That was the best year of my education in my life.
A film like Genevieve to my contemporaries is not a film made years ago, but last week or last year. They see me as I was then, not as I am now.
I worked as hard to write the worst film of the year as I did to write the best film of the year.
The trouble is, the older you get, it's hard to find time to make a film: it's a year to write, a year to get money, a year to make it, a year to edit. It's four years of your life.
In France and other European countries, film stars are more celebrated. In Germany, if we are good at what we do, we are respected but not acclaimed. And, of course, we are not paid like Americans are.
They (Bayern Munich) lost in the semi-finals of the Champions League to Real Madrid last year, and the year before that were beaten in the final by Manchester United, so their European pedigree is second to none.
I never did theater. I was a theater major at USC my first year because I didn't get into the film school. I was biding my time, hoping to be accepted to film school, and I ended up transferring to UCLA my sophomore year.
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