A Quote by Nick Offerman

If I had to pick one form of acting, it would be live theater. That's where I started; that's where I became a man, I think I'm still finishing up that job. — © Nick Offerman
If I had to pick one form of acting, it would be live theater. That's where I started; that's where I became a man, I think I'm still finishing up that job.
When I started playing well all I wanted to do was win. Which was a problem. When it became clear I wasn't going to win, I would get fed up. I played poorly on a few Sundays, finishing 50th because I wasn't interested in finishing 30th. But I've learned not to do that.
I started doing roles and working with people that I really respected and became passionate about the art form of acting. And I'm still trying to figure it out. Still learning.
I started as an actor, then became a theater director. I loved acting but didn't feel as confident as I needed to be, so I started directing theater; then I played in some movies, and then I felt the need to do my own stuff.
Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.
When I first started acting, I started in opera and had a great desire to play grand, tragic characters. I got sidetracked in musical theater and ended up doing a lot of comedy.
When I started I had no knowledge of films whatsoever. I was an engineering major at Stanford. And I found out as a senior that they had two film critics on the Stanford Daily, and they got free passes to all the theaters in Palo Alto. So I thought, I'll do that, and I became a film critic. And then I became interested in films. But I had no time to study anything in that area because I was a senior, just finishing up as engineering.
I enjoyed acting at school and went to an acting workshop for kids in Nottingham. It was twice a week after school and free to go to - ITV subsidised it. Every now and again, a casting director would turn up. 'Peak Practice' became a rite of passage for us. It was the first job I had.
A better thing to grow up with is to be funny I think, and if I had, if I had my choice I would still pick that.
I was very lucky: I started acting in this highly subsidized German theater world, so there was not so much job insecurity. We had great working conditions, long rehearsal times, well paid.
When I was a little girl, the only real form of entertainment I was exposed to was theater, being raised in St. Louis, and I still love theater, and I think sitcoms are similar to that, in there's a live audience, and you know, I definitely like the comedy of it, too. I like to make people laugh, and I definitely think laughter is healing.
I was always drawn to performing, but I never thought I could. I have no idea what I wanted to do outside of the old cowboy-or-fireman. When I was in college, I got serious about acting. I started examining history and then everything related to the theater. History, art, all the other studies, if I could link them into the theater, then it became alive for me. It just opened up my eyes.
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
It all started in Michigan. My dad got a job in Michigan, so we all moved up there from St. Louis. I kind of hung out in the summer and had nothing to do, so I sort of got into acting. And then I was going to Grand Blanc High, doing the acting thing and hoping it would pan out.
I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.
I think the graphic novel form works, in practice, a lot differently from watching a movie. You can put it down and pick it back up whenever you want - something you can't do in a theater.
If I had been brought up in America, I think I would still have had the same sort of job as a writer.
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