A Quote by Nick Offerman

I think what makes so many other actors miserable is focusing completely on making other plans. They're obsessed with their haircut and their headshot and their agent, their IMDB profile or whatever.
Actors don't listen to each other. You're so obsessed with what you're saying or doing that the other person could be talking in Swahili and you wouldn't know.
Now Tarantino is making DJANGO UNCHAINED. Everybody is telling me I am in the movie but I've not been asked by Tarantino officially. Not yet. There were many, many other Django films following mine, with other actors and directors, but there is only one Django.
If you have a sense that anyone is draining your energy, mentally cut the etheric psychic cord between you and the other person. Be willing to forgive that other person for seemingly draining you, and release the other person fully to the light, now. Completely let go of focusing on personalities of other people and ourselves, and focus, instead, on the true oneness of your spirit.
If you're a baboon on the Serengeti, and you're miserable, it's almost certainly because some other baboon has had the free time and energy to devote to making you miserable.
Many casting directors won't hire aspiring actors because you might be burning some chick's headshot under the table so she doesn't get the part.
It seems to me that I never grow unless I'm actually working with other actors who have shed whatever shell it is that keeps them insulated from each other.
if you don't think that all life is improvisation, then you haven't been paying attention. Life is what happens to you while you're making other plans.
Life's what happens when you're making other plans.
There's a very simple reason for focusing on the nuclear issue. Many, many issues are of supreme importance in one way or another, but if we blow ourselves up with nuclear weapons, no other issue is really going to matter. Quite possibly there would be no other human beings left to be concerned about anything else.
There were many, many other 'Django' films following mine, with other actors and directors, but there is only one 'Django.'
The pressure is always stepping on stage with actors who are just so well-established. It's a scary thing. I haven't been around the block that many times, especially not on big projects. Dialogue makes things easier. When you start bouncing dialogue off of other actors, it becomes comfortable; it becomes conversational.
If you've had a bad experience with an agent, you have to move past it. You are bound to want a player at some stage who is represented by this guy and you will have to try to work around the personality of the agent. You tend to work out what makes them tick, what they respond to. You have to have tactical plans to get a deal over the line.
Success: The successful person is willing to do what the unsuccessful person is not willing to do. Draw a profile of success in whatever you are choosing to improve. If you are willing to do what that profile demands, then you have a credible demand of success. If you are not willing to do that then it just will not be there for you. You can't have the one without the other.
Making a film or doing a play are completely different experiences and entirely fulfilling, but completely unique. I also think one complements the other. People often say that theater is about flexing your muscles, and is actually real acting, whereas I sort of disagree.
There are days when I'm completely obsessed with Kate Bush, and there are days when I'm completely obsessed with the Eurythmics. Then it's Aretha Franklin, then it's Lena Horne, then it's Ella Fitzgerald, then it's John Legend, then it's Michael Jackson. Music, to me, is like food, so I feel like whatever I need that day, I can get from a song.
Actors are pulled in so many different directions that unless you both are absolutely into it through thick and thin and completely sure about each other, it's just hard. I've decided I'll never date an actor again.
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