A Quote by Nick Offerman
I learned in my early years in the theater that I would never become the guy on top. I'll never create a show; I don't have a brain expansive enough to see the whole picture, in a way that would behoove anyone.
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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
If I hadn't become a chef I would have loved to be a top tennis player, although I was never good enough so it wasn't really an option. But that has never dimmed my love of the game, which started in childhood when I was lucky enough to be a ball boy at Wimbledon.
In theater, you can be free. That's how Lin-Manuel Miranda got to do the most revolutionary piece of theater with 'Hamilton': color-blind casting in roles in which they would never cast Latinos if it were a film or TV show. It just goes to show that Hollywood and cable are way behind.
I've never thought that I would see any man of color, not just a black president, but any man of color, I never thought that I would live to see that. I thought maybe my grandchildren would, but I never thought I would. So when Barack Obama first started to run I was like, "I've never heard of this guy - he probably doesn't have a shot." But then he started picking up steam and that piqued my interest.
There was never any question that I would go to college, that I would travel, that I would go to the theater early and often.
We never thought 'Boyhood' was ever gonna become Oscar-considered. Our shooting budget was $2.8m for 12 years. Altogether. I didn't know if anyone would see it or appreciate it.
If Kubrick had lived to see the opening of his final film, he obviously would have been disappointed by the hostile reactions. But I'm sure that in the end he would have taken it with a grain of salt and moved on. That's the lot of all true visionaries, who don't see the use of working in the same vein as everyone else. Artists like Kubrick have minds expansive and dynamic enough to picture the world in motion, to comprehend not just where its been, but where it's going.
If anyone gets in my way when I'm making a picture, I become irrational. I'm never sure what I am going to do, or sometimes even aware of what I do-only that I want that picture.
How baffling it was that even the most cunning and clever people would frequently see only what they wanted to see, and would rarely look beyond the thinnest of facades. Or they would ignore reality, dismissing it as the facade. And then, when their whole world fell to pieces...they would tear their topknots or rend their clothes and bewail their karma, blaming gods or kami or luck or their lords or husbands or vassals-anything or anyone-but never themselves.
That worried me early on in my career - that I would change. If I went to New York or Los Angeles that I would become somebody I wouldn't like. That person that gets a big head and starts thinking they're more special than anyone else. I never wanted to be that person.
When I was 5 years old, I saw people dancing in my head. In college, I would choreograph for the cultural shows, and in my notes, I would actually create formations of people. It was how my whole brain worked.
I did not see myself as a leading lady. I thought I was really funny-looking and I would never be the lead, and I certainly would never do film or television. I wanted to do theater. I wanted to be the grand dame of the American stage.
I'm not Ted Nugent. My house is run, essentially, by an adopted, fully clawed cat with a mean nature. I would never hunt. I would never wear fur. I would never go to a bullfight. I'm not really a meat and potatoes guy.
I've thought my show would be a sitcom or a talk show. Never in a million years would I have thought my show would be docu-series/reality because you always think reality is something crazy.
The whole time I was hoping my silence would fit yours and exclamation marks would gently float across time and space so that boundaries would be crossed; the whole time I was praying you would read my eyes and understand what I was never able to understand. See, we were never about butterflies. We’ve always been about burning stars. All about us is unearthly and radiant.
We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.
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