A Quote by Nick Offerman

There have been a few occurrences where people in restaurants have sent me a rasher of bacon, which I am not going to turn my nose up at. I never let them down. — © Nick Offerman
There have been a few occurrences where people in restaurants have sent me a rasher of bacon, which I am not going to turn my nose up at. I never let them down.
As in some Irish houses, where things are so-so, One gammon of bacon hangs up for a show; But, for eating a rasher of what they take pride in, They'd as soon think of eating the pan it is fried in.
It is clear I was never the Pretty Girl. I had my two front teeth knocked out when I was 10 and didn't fix them until I was 19. I have a crooked smile and a nose that looks like it's been broken 12 times but never has been. My nose was always red, so people called me Rudolph. My whole face is off-center.
One fella went on the internet and got lots of photos of me in Love Actually, topless and naked and stuff, printed them off, stuck them on A4 paper, laminated them and sent them to me for me to sign. I was away and asked my husband to open all my mail for me, so he got quite a shock. And another man sent me a picture of a face where the nose was a willy.
I have never been bored an hour in my life. I get up every morning wondering what new strange glamorous thing is going to happen and it happens at fairly regular intervals. Lady Luck has been good to me and I fancy she has been good to everyone. Only some people are dour, and when she gives them the come hither with her eyes, they look down or turn away and lift an eyebrow. But me, I give her the wink and away we go.
I grew up poor, financially lower class. Worked in restaurants for 17 years while going to acting school and trying to become a working actor. Because I know what it's like to not have money, I turn down roles if I don't want to play them.
I think I'm a very pretty girl. I'm never going to pretend to think otherwise. There are even days I feel I'm fabulously hot and sexy. I'm grateful for my looks. My family is doing well because of them. I can make career choices and turn down movies because of them and I have been making money from them for 17 years. My looks are who I am.
Now I don't care what people think. I did some internet campaign where I was the voice of a puppet for Ford Focus ads because they were paying me a lot of money to do it, it was a very easy gig, but then the bonus was, it turned out to be an enormous amount of fun. I've learned not to turn my nose up at things just because they're not what other people might consider cool to do. Because I've also matured enough to know, you never know where these things are going to lead, and you never know what the experience is going to be like.
The selfie has become a new autograph, but it takes twice as long to do as a real autograph. I do it because I'm like, "What am I going to do, these people bought me my house." Why am I not going to take a picture with them except I always say, "You have to hold it up! Shoot down or it's really ugly if you shoot up!" So not only does it take longer, you have to teach them camera angles.
I grew up having to care what people think; it was part of my job.I've been built up and torn down, built up and torn down. It's been difficult to tune people out, especially in the las few years. Now i'm starting to care more about me and not what everybody else thinks.
When the nuclear weapons were sent to the racist South African government, where a few million white people subjugated more than 13 million black people, it was so they could use them against the Cuban forces that were defending Angola. These things have not been written down but they need to be told as part of the reality of history which should not be distorted the way the historians connected to the power elite tend to do.
All actors who have been around for a long time, which I have, and have been skint for long periods, which I have, find it difficult to turn down jobs. If I turn anything down my stomach turns over. I feel sick. It feels like gambling.
You never know when you read a script how it's going to turn out because so much depends on the collaboration between people. If I'd been in some of the movies I turned down, maybe they wouldn't have been a success.
I don't give a f***. We're not fighting. I don't care what anyone thinks about me. All the stuff I have to do outside the fighting, the promotion, this, I don't give a f***. But when I am facing up for a fight, I know what they're thinking. I can read their minds. When I am going face to face with an opponent, nose to nose, I can smell the fear, and I'm feeling no fear at all.
I was mostly bullied by my classmates. People would come up to me and say, 'You're so dark.' I'd always fight back by calling out one of their insecurities, like, 'Well, you have a big nose.' Today, I'd tell them that I really love them. I'd thank them because they made me realize how unique I am.
Out of culinary school, I worked as a pastry cook in amazing restaurants for years. I ended up leaving the pastry cook scene because, though I loved the industry, the restaurants and the chefs I worked for so much, I had to be honest with myself. I was never going to be them.
I'm not saying Christopher Pyne and all them are my enemies, they're great blokes, shouted me a few beers a couple of times which I like, it's - we have got to sit down with the people like that. We have got to sit down with people like that and negotiate and work our way through. If we don't do that then we're just going to continue the sins of the past.
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