A Quote by Nick Offerman

I spent a lot of my youth working outside in the elements, and I kind of revel in defeating tough weather. — © Nick Offerman
I spent a lot of my youth working outside in the elements, and I kind of revel in defeating tough weather.
It's easy to stay in and work a lot. It's shitty weather, you don't go out and lay in the sun. That's a great thing to do - I love that, but in the summer I don't really get much done, because it's so nice to be outside. With the bad weather, you stay inside and dream. You create your own world, because you're not outside in the weather.
I have spent a lot of my career working on normative political philosophy, developing the 'capabilities approach' to social justice. I have also spent a lot of my career working on the structure of the emotions, and their role in human life.
I spent a lot of time with my teams, especially in the East Coast teams, talking about dealing with the elements a lot of time, and a lot of instruction about field position and those kind of things. I like that variable.
When I start working on a new album, I kind of stop listening to a lot of outside stuff just so I can kind of focus.
The most dangerous kind of man is not the one who spent his youth shoving others around. That kind of man gets lazy, and is often too content with his life to be truly dangerous. The man who spent his youth being shoved around, however … When that man gets a little power and authority, he often uses it to become a tyrant on par with the worst warlords in history.
Crabbed age and youth cannot live together; Youth is full of pleasure, age is full of care; Youth like summer morn, age like winter weather; Youth like summer brave, age like winter bare. Youth is full sport, age's breath is short; Youth is nimble, age is lame; Youth is hot and bold, age is weak and cold; Youth is wild, age is tame. Age, I do abhor thee; youth, I do adore thee.
I spend a lot of time in the gym working on moves, working on difficult shots, figuring out ways to create space, becoming a tough-shot taker and a tough shot maker, especially down the stretch.
People always think we have the summer off, but it's the opposite. From our rink you can see through the glass to the weather outside, and on a nice day that's really tough.
We are absolutely open to working with outside directors. But the criteria for working with outside directors would be the script they have, the kind of vision they have.
I like being outside and working with the elements. The elemental aspects of it. The physicality of it.
We had kind of a rocky start, but I spent a lot of time working with the President and handing him statistics and showing him what we were doing as we went along and kind of saying to him, you know, this is really important.
I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.
I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
I think I spent a lot of my mid-twenties thinking it was a problem of my onstage persona. But, actually, it was my actual personality. I was still working out what kind of person I was.
Once you go outside of Atlanta, there are still a lot of Klan rallies and whatnot. There are a lot of conflicting elements that are trying to solve itself in that city.
Much of my youth was spent in the parking lot or inside a Dunkin' Donuts.
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