A Quote by Nick Petrie

I try not to think too much about my writing process - I tend to feel my way forward and find more insights that way. — © Nick Petrie
I try not to think too much about my writing process - I tend to feel my way forward and find more insights that way.
I try to listen to a lot of music when I'm in the mixing process of a record, when I'm in post-production and trying to get everything to sound a certain way. During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.
What I find is that many times when I work with chance, with indeterminacy, I am more open to experience, less prone to a fixed process, and I think it creates a very important challenge. It creates a way of writing that is, in a way, flatter or smooth, a surface conducive to release, to movement. And in this way, the form of writing gets delightfully melded with the process of the writing.
I think the right way to do this is just to step up and do it, so I actually think we'll see more of that over the next coming weeks, because I think they'll say, "We'd like to be good for business and quiet on politics, but this is too urgent, it is too much of a key crisis in who we are going to become as Americans. We can risk too much, and so we have to step forward." And I think you will see more and more people stepping forward, like Howard Schultz, Steve Case and other folks, in order to try to make a difference in this [Donald Trump] election.
I like the freedom America has. In Japan people tend to think too much about others' opinions and how to be like everybody else but to Americans it seems more important to be who you are and find your own way.
I think if I was ever really going to be more serious about writing I'd have to try and find some way to do it with other people. I do find the silence kind of eerie.
Ever since high school I've been writing in a spiral notebook, in pencil. Everything looks too polished on a computer when you start writing, and I can't really see it. I feel like the words are much more naked in pencil, on a notebook. I feel that my brain works differently, and words come out differently, if I have a pencil in my hand, rather than if I have a keyboard. I tend to add more in the margins. I tend to elongate the sentences as I'm writing and editing, and there is just something about the feeling of writing longhand that I really love.
I am a quiet man. I tend to think things through and try not to say too much. But here I am, saying perhaps too much. But there are these feelings inside me which need badly to escape, I guess. And this makes me feel relieved because one of my big concerns these past few years is that I've been losing my ability to feel things with the same intensity- the way I felt when I was younger. It's scary- to feel your emotions floating away and just not caring. I guess what's really scary is not caring about the loss.
I have no expertise of other religious traditions so I'm not going to opine on them, but in Islam the more you know about the religion, the more likely you're going to go to hell. Many people will find that paradoxical because we tend to think of religion as a way of making ourselves feel better and a way of damning and excluding infidels or reprobates or heretics or what have you. It was very hard for me to find an Islam that belongs to me and doesn't feel like it's been imposed on me.
There are a lot of elements when you're writing, or when I'm writing, that are sitting in the back of your mind. I try to let them stay there, because they find their way in more naturally that way.
I feel that when I began writing, I had a need to know more about the play before I got into it. I think that's the way I was thinking. But my actual experience is that the best way to find out what the structure is, is by writing the play out laterally. You just have got to be brave enough to start without knowing where you are going.
During the writing process, I tend not to listen to too much music. I obviously wear a lot of influences on my sleeve, but if I was listening to too many records, I would turn into too much of a monkey.
Now you know you're going to have to play music for the label, you know you're going to have to get an opinion from the manager. Now, I'm so much more conscious and it bothers me. I try to find my way back to writing without being too analytical or not thinking about whether this is good or is it bad.
Valuations are always much-debated. I try to center on what is the value to us. Is it solving a problems for us? If it is, we find a way to proceed. If the valuation has been overhyped on something and it doesn't make sense, we won't. It's very simple for me. I tend not to worry too much about the valuation. It's really what the value is to us.
We have a writing process that's very much you try to create the character in a complicated way and then you let the story lead you to discovering who the character is in a natural way.
I think that we Americans, in particular, tend to think too directly about problems. If there's a problem we want to basically go in with a screwdriver or else drop bombs on it. A better way to solve problems is to think indirectly and try to change the environment. So I think you can gain much better self-control not so much by working on yourself as by looking at the situations you're in and the people you hang around, and changing your environment.
When I am writing poetry, I try to make my mind go a little lazy, to not think too much, as a way of opening up the part of the brain that makes poems. If I'm successful in this part of the process I'm often not. If my mind gets too lazy it will linger in familiar boring territory, it's like my mind can stroke the physical world.
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