A Quote by Nick Petrie

In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
I'm an enormous fan of American literature, and especially the great novels of Larry McMurtry, 'Lonesome Dove,' Cormac McCarthy, Elmore Leonard.
I think every writer of detective fiction writing today has been influenced by Mr. Parker. I'm of a generation that followed Robert Parker, and it was impossible to read the genre and not be influenced by him.
I don't read 'genre' fiction if that means novels with lots of killing and shooting. Even Cormac McCarthy's 'No Country for Old Men' seemed pretty childish in that regard.
Like Elmore Leonard and Donald Westlake and Robert B. Parker and oh so many others, I want to die with my boots on, facedown on my keyboard if possible, in the middle of a sentence.
I love Walter Mosley and Robert Parker crime novels. And I read a lot of music reviews.
I read Nabakov for style, Mary Karr for heart and resonance of where I come from. She's from the same part of the world that I'm from. Cormac McCarthy and Hemingway, to read the masters.
I am a huge fan of Alan Furst. Furst is the best in the business--the most talented espionage novelist of our generation.
I'm a big fan of Elmore Leonard, and I've read Ian Rankin, Christopher Brookmyre and so on. But I'd never read a crime novel that made me feel emotional at the end.
The first time I read a crime novel - I think it may have been an Elmore Leonard book - it took some time for me to realise how the genre worked. There were about 20 characters on the first page, and I wasn't used to this. I started to enjoy it when I saw that was how crime books worked.
I'm a huge Cormac McCarthy fan and have read every book of his.
Very little other than Elmore Leonard's crime writing inspiring me on my Batman run.
I have written about some truly great writers - John Steinbeck, Robert Frost, and William Faulkner. Faulkner and Frost were the very peaks of American poetry and fiction in the 20th century.
I love Elmore Leonard. To me, True Romance is basically like an Elmore Leonard movie.
I was writing novels in high school and apprenticed myself in a way both to Faulkner and to Hemingway.
I used to read only fiction. Now I don't read much, only occasionally, such as a Cormac McCarthy or a Jim Harrison novel.
I always like to cite John Cage's mantra, "If you can stand it for two-minutes, try it for four." In fact, when I look at some of those early films of mine, I think, "Oh my God. Cut it, cut it." The general sense of duration has changed over the years, my own sensibility with it.
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