A Quote by Nick Price
Overall the fundamentals seem to be there and he's obviously got a very mature head on his shoulders. He's got a kind of presence.
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Sean Davis is one of the best youngsters I've been around. He's got an old head on his shoulders and he's a very good player.
Fundamentals, fundamentals, fundamentals. You’ve got to get the fundamentals down because otherwise the fancy stuff isn’t going to work.
I don't have a brilliant body at all. I've got very broad shoulders. I've got very big feet. I've also got a very muscular neck.
I've got alopecia so I've got bald patches all over my head and I grew up with that, so obviously I've become accustomed to it, but it's still not nice when people are saying it in your industry when they know you've got a condition.
The markets where we've got real good presence are the older, more mature markets like Australia, and Western Europe - where we've only got 6,000 stores, compared to the US with 13,000.
I do what I've got to do to survive, to keep my teeth in my head, and my head on my shoulders. I apologize to whoever can't put that together and understand that.
Roman Polanski actually said as much to me once. He had his head in his hands, and I said, "Roman, I've got to tell you, as an actor, seeing the director with his head in his hands... Look, I really want to do what you want me to do." And he went away and he came back, having obviously thought about what I said. And he said, "When my head is in my hands, I'm closing my eyes and trying to remember what I saw in my head, before any of the stuff."
Obviously, talent speaks for itself, so, yeah, you got to go in there, and you got to play well. You got to play your game, but that's kind of the easy part in some ways.
I realized that I got problems bigger than anything that can happen in prison. So I started reading books, talking to people who had a head on their shoulders, sold my TV and just got a whole bunch of books.
I've got funny things. David Duchovny had to have a cast made of his face to do an old person's make-up, and I've got that cast of his face in my house. I've got something from the pilot, the original implant that was in Billy Miles' head. I've got a sign from 'The Erlenmeyer Flask.' But my house isn't a museum to 'The X-Files!'
It's got to feel good off the face, it's got to look good from on top of the ball. And then, obviously, it's got to perform. But in those iron testings, obviously, I'm just trying to hit the best shots I can.
Phil has the classic, mature beard. Jase's is kind of red - it's weird, like him! Jep grooms his the most: He's got all these special lotions and perfumes that he puts on.
It was a very easy way to have a group of friends on a very large campus - a sense of identity. It was a great place to learn how to navigate a variety of personalities, which you kind of have to do in life. You've got the shy woman and you've got the obnoxious woman and you've got the brainiac and you've got the social climber and you've got the introvert and the extrovert, and you're all living together. I think it gave me valuable experience in learning how to live with people that are different than you are. And that's an important lesson. You can bet it comes in very handy in the Senate.
A lot of the stories I got on A.I., I can't say publicly. Overall, I just really appreciated how he went about going into games. He got a lot of flak for the 'practice' comment, but every game, he gave it his all.
I'm not the kind that could lead the millionaire lifestyle. I've got a truck, and I've got my bike. I've got a lovely Labrador and two kitty-cats. I live very modestly.
Every time a player goes out to ply his trade he's got to play from the ground up - from the soles of his feet right up to his head. Every inch of him has to play. Some guys play with their heads. That's O.K. You've got to be smart to be Number One in any business. But more important, you've got to play with you heart - with every fiber of your body. If you're lucky enough to find a guy with a lot of head and a lot of heart, he's never going to come off the field second.
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