A Quote by Nick Swardson

I was always pretty good at adapting to my situations. My act was never that inside, where it was like, "Okay, they're either going to get this or they're not." — © Nick Swardson
I was always pretty good at adapting to my situations. My act was never that inside, where it was like, "Okay, they're either going to get this or they're not."
I know that I want to concentrate more on my inside-pretty than my outside-pretty, because thats gonna go away. But if your inside is beautiful, it never wears away. The light always shows on the outside if you are striving to be good inside.
My job is called adaptation. It's always about adapting to new situations, but the core team is going to be the same.
I've got friends who are so good at getting away with things, like going up to the desk to get upgraded on a plane, for example. I haven't got any of that kind of confidence in those situations. I look so awkward. I act awkward. I'm really apologetic. I fail to get anything that way.
I'd been in a couple situations where I'd seen bands realize that they didn't have to get a good take in order to get something that sounded like a song. The musicians are there and they don't quite have it together, and then the engineer says, "Oh! That's okay, I'll just cut and paste the verse!"
I'm a pretty easygoing guy. I'm not hard to get along with. I never had anybody that I had trouble with. On the other team, sometimes you don't like players because of the way they act, but then you get to know them and then they're very good people. But I never disliked anybody.
I've got friends who are so good at getting away with things, like going up to the desk to get upgraded on a plane, for example. I haven't got any of that kind of confidence in those situations. I look so awkward. I act awkward. I'm really apologetic.
When it’s too good, you do it over again. Too good is too easy. If it’s too easy you have to worry. If you’re not lying awake at night worrying about it, the reader isn’t going to, either. I always know that when I get a good night’s sleep, the next day I’m not going to get any work done. Writing a novel is like working on foreign policy. There are problems to be solved. It’s not all inspirational.
I'm the type of person who is always going to be somewhat dissatisfied with myself. I'm never going to be smart enough. I'm never going to be a good enough father and husband. I'm never going to be a good enough actor for myself. I just never will be, and I have to get comfortable with waking up every day and trying to move some little increment closer to the person I have always dreamed of being. This is the journey.
I wasn't sure what I wanted to do with my life. I always wanted to pursue either music or comics, so when the opportunity came from comics publisher Fantagraphics for my brothers Jaime and Mario and I to make a comic book together, we jumped at the chance: "Let's just do it and see what happens." Really, we weren't sure where we were going to go with it. We thought our work was good enough to be out there, but we didn't know that the response was going to be pretty good, pretty quick.
There's so much to benefit from being able to control your mind in certain situations and it just keeps you even-keel all the time when things are going well and when they're not. That's one thing that I've always had a bit of a tough time doing. When I get up, I get excited. When I'm down, I get pretty frustrated.
I woke up one day and wanted to change my look. And I was like, 'Okay, what are you going to do about it?' I said, 'I'm going lose 30 pounds, I'm going to get a little lipo, and I'm going to get a Monroe piercing, and I'm going to cut my hair. I'm going to get totally wild.'
I wanted at one point to act, which is a weird thing for men to want to do. It's a very vain profession. I don't mind women who want to act. That's fine. It's odd that men want to act, in that there's still a degree of vanity associated with it. It's like, "Put on some makeup, make me look good. Okay, now I'm going to roll my shoulder." Part of me still feels like, "Wow, that's weird for a man to do."
The act of photography is like going on a hunt in which photographer and camera merge into one indivisible function. This is a hunt for new states of things, situations never seen before, for the improbable, for information.
With acting, I've always gotten by in life acting in situations. I'm a small person. I didn't have a chance to be a bully. But I could always act myself out of tough situations.
The biggest lesson I’ve learned is, “It’s okay.” It’s okay for me to be kind to myself. It’s okay to be wrong. It’s okay to get mad. It’s ok to be flawed. It’s okay to be happy. It’s okay to move on.
You who have never “been there” in the throes of grief, have no idea what is going on inside the head of the grieving spouse: the scattered thoughts, the constant worry that we will forget something or someone in our fog-induced state, that strange feeling of not quite “being all there” when out in social situations, the pall that covers everything, like a cloak of sadness that never lifts.
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