A Quote by Nick Swardson
I started in the club route. I did the alternative scene later on. When I lived in New York, I did the Luna Lounge and stuff, where Janeane Garofalo and David Cross and all those guys worked out of, but I came from a comedy club background. I'm proud of that background. I'm one of the people that really crossed over and did both.
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Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
In the 70s I started doing my Big Night Out on stage when I was at art school. A friend of mine owned a comedy club and sold it to me. I worked out quite quickly that if I did the comedy myself I'd make more money.
I first did stand-up when I was 17, and then I passed out fliers for a comedy club (in New York City) and I got onstage whenever I could. And musical theater went out the window as soon as I started doing stand-up.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.
I did a lot of theatre when I started out. It was the Lyceum, the Citz, the Tron and the Traverse. I came to London and did the Royal Court, the National, 'King Lear' at the Manchester Royal Exchange. I did little bits of comedy, like 'Rab C Nesbitt,' but I wasn't predominantly about comedy.
I crossed over into the WWE, but a lot of guys never did cross over.
I did more research into the police procedure. I worked out with SWAT guys and ex- and active military guys, and consulted with them and read books. As far as the character itself, I don't know how you can research being a focused guy, aside from just being a focused person and knowing what that's like. Outside of the character background and all that, there wasn't a whole lot of other stuff to really delve into. You just do what you do.
If I had the gift of Jerry Seinfeld, of Bill Cosby, of Lewis Black, these instinctively brilliant comic minds, then you go that route! But you gotta know your limitations. I'm more of an actor, more of a process guy. I did Tom Snyder, just as Danny Aykroyd did on 'SNL.' I did it in the club.
You get a world-class athlete like Hershel Walker, who was a Heisman trophy winner and did some amazing things, but he had a martial arts background. He did kickboxing. He had a combat sports background. It was just rekindling that training and that martial arts workout ethic. He got back into it and did quite well.
I came to New York for school, and then I did this amazing show that was received very well, with a great group of people, and I felt like I was creating something that I was really proud of, and then 'Hamilton' was my next big thing in New York.
I was disappointed not to be able to sign [for Barcelona] last season. When the best club in the world calls you, then it is something that you want to happen. I have signed for the only club who really wanted me. In no moment did I ever think that Inter was a possibility. Rafa valued me and perhaps that is why people started saying that I could go there but this is the only club that pushed to sign me.
My TV comedy idols are the Charles brothers, who did 'Cheers;' Larry Gelbart, who did 'MASH;' and Larry David, who did 'Seinfeld.' When I was 6 or 7-years-old, I'd watch 'Saturday Night Live' and guys like John Belushi and Dan Akroyd became my on-screen heroes.
I definitely wasn’t cool in high school. I really wasn’t. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas, but I certainly did not know what to wear, did not know how to do my hair, all those things.
I definitely wasn't cool in high school. I really wasn't. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas. But I certainly did not know what to wear, did not know how to do my hair, all those things.
I did a 'Last Comic Standing' audition in 2006, where you're just performing for three people in a comedy club, in a big comedy club, and I remember them cutting me off, asking about my name in the middle of one of my jokes. Yeah, it's just real weird when you're doing stand-up in that type of sterile, unnatural setting.
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