A Quote by Nick Tosches
I often wonder if I had the complete freedom to not have to write, if I would write. That's the one mystery that I hope I get to experience.
Related Quotes
The main event is freedom. I often wonder if I had the complete freedom to not have to write, if I would write. That's the one mystery that I hope I get to experience. It might be a good idea to retire, since as this delusion of an economy progresses, it seems that if you make ten grand a year or a hundred grand a year, there's absolutely no difference.
Before I gave birth to Hope, I had a miscarriage. The pain was so enormous, I had to write myself out of it. I kept a diary and did not feel entirely complete until Hope was born.
I'm still trying to figure out how to write about cancer and my family's experience with it. If I had been able to write 'The Pura Principle' back in those days, I'm positive it would have had no humor in it. Which means the story would have been false.
I hope never to retire. I write so many because it's the thing I like to do most - to write. And if you write every day, you just naturally get a lot of books.
I often wonder when I make a film - I'm thinking of making a film of the Buddha - and I often wonder: If Buddha had all the elements that are given to a director - if he had music, if he had visuals, if he had a video camera - would we get Buddhism better?
I would get up at 3 in the morning and write. Or sometimes I would write at midnight. Or I would write when my child napped. It wasn't a burden. I was so enthused about what I was doing at the time that I really didn't mind.
No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.
I was pretty happy with how my career had gone, mainly because of the enormous freedom I've had to write what I've wanted to write. I had a very clear picture of who I was as a writer.
I think probably the thing I'm worst at is the most ephemeral stuff, like blogs. I find it really hard to write. And I'm often been asked to write columns for papers in Peru. And I can't. I would die. There's no way I could write a column.
I've never written anything that I haven't wanted to write again. I want to, and still am, writing 'A Few Good Men' again. I didn't know what I was doing then, and I'm still trying to get it right. I would write 'The Social Network' again if they would let me, I'd write 'Moneyball' again. I would write 'The West Wing' again.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
I never set out to write prayers at all. But there was a span of time when I didn't find it easy to pray, but, when I went to write one of the things I had to write, a prayer would come.
I keep thinking of the gifts of my own upbringing, which I once took for granted: I can read any book I choose and comprehend it. I can write a complete sentence and punctuate it correctly. If I need help, I can call on judges, attorneys, educators, ministers. I wonder what I would be like if I had grown up without such protections and supports. What cracks would have turned up in my character?
The strength of film is its accessibility and immediacy. But the strength of books is that freedom to really depict anything you want because people are going to be reading it in private. So, I'm always trying to write with the immediacy and the constant motion of film but I'm also trying to write with the complete freedom of subject matter that books have.
People often tell me, "You write such great women." I don't think about it, I just write characters as rigorously and as truthfully as I can and hope, no matter their gender, that their humanity comes through.
I would love to write a mystery - a romantic, funny mystery.
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