A Quote by Nick Willing

I always find myself pulled back into the fantasy genre, and I can't really explain it. — © Nick Willing
I always find myself pulled back into the fantasy genre, and I can't really explain it.

Quote Author

Nick Willing
Born: 1961
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
I didn't really distinguish between genre and not-genre as a kid, until I made the transition to adult fantasy via Terry Brooks.
Fantasy is a genre that allows me to create anything I want. That, in turn, allows me to explore any sort of idea I'm curious about. I love it because Fantasy is a genre that asks, "What if...?" That's my favorite question.
Readers respond to every genre intensely, if it's a genre that appeals to them. Again, who can say why anyone enjoys horror and dark fantasy? If I can't answer the question for myself, I wouldn't dream of trying to answer it for others
Readers respond to every genre intensely, if it's a genre that appeals to them. Again, who can say why anyone enjoys horror and dark fantasy? If I can't answer the question for myself, I wouldn't dream of trying to answer it for others.
When we come back to fantasy, I think we're actually coming back to the real bedrock of storytelling. Our national or international genre really is fantasy, if you think about the worldwide myths and legends and stories that we all know, whether we're talking about Little Red Riding Hood or the Arabian Nights or Noah's Ark or Hercules. These are stories that cross many cultures in much the same way that dragons cross many cultures.
You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.
Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.
To me, fantasy has always been the genre of escape, science fiction the genre of ideas. So if you can escape and have a little idea as well, maybe you have some kind of a cross-breed between the two.
I've read fantasy my whole life. Quite literally; my mom read me The Hobbit before I could read stuff to myself. So I love fantasy; that's what I read for fun, it's what I read professionally to keep abreast of what's in the genre - it's where my heart is.
I feel that what I do is always contemporary with the society I'm living in... If I wanted to explain myself, that's how I'd explain myself: that I'm a diarist.
I'd love to do a really cheap action movie. I'd love to do stunts. I mean, not myself. I'd hurt myself, but I'd love to direct others doing stunts. I think that would be a blast. The funny thing is, if I really think through this fantasy, I know that the way I conceive of doing an action movie would still lose money. No matter how far I think I'm getting away from myself, it always comes back to something that's not terribly commercial.
I've always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
American fantasy is not a genre we think about too often. Sure, we are familiar with the worlds of English boarding school houses and castles and fairies, but true American fantasy, fantasy that is built on the land of this country, is hard to come by.
In any genre you're working in, you can always find a way to tell a particular kind of story. I love fantasy; I love science fiction. I love all kinds of fiction, in fact.
Realism isn't something most people associate with the fantasy genre, yet it's an essential element of great fantasy writing.
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