A Quote by Nick Woodman

If we can become the de facto standard for image capture of unique perspectives around the world, we have a lot of growth ahead of us. — © Nick Woodman
If we can become the de facto standard for image capture of unique perspectives around the world, we have a lot of growth ahead of us.
The standard growth theory tells us that economic growth in per capita basis comes from mainly two sources: capital deepening and total factor productivity growth, or TFP growth.
I encountered a large temporary sign declaring Rough Road Ahead, and indeed it was. Had I not been warned, that experience would have been disastrous. Life is like that. It's full of rough spots. Some are tests to make us stronger. Others result from our own disobedience.... Each one of us encounters unique challenges meant for growth.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
Let us look ahead as little as possible, keeping our eyes on ? the world of beauty around us.
We are trying to capture the widest possible audience all around the world. In other words, we are trying to capture the people who are even beyond the gaming population.
Editorial imagery licensing includes celebrity, entertainment, sports, and news images that capture what is happening in the world around us.
In working towards ways of reading Mann, so that his own advances in suggesting new perspectives will become more vivid, I do some fairly standard philosophical analysis of ideas in Nietzsche and Schopenhauer.
I grew up around a mix of a lot of people, so I got a lot of different perspectives. As a kid, I appreciated that.
Vladimir Putin wants to become the de facto head of an illiberal, xenophobic, hypernationalist trend in world politics.
We chose the most interesting image available to us to illustrate the theme of the cover, which is what we always try to do. We apply the same test to photographs of any public figure, male or female: does the image convey what we are saying? That is a gender-neutral standard.
Film is the best way to capture an image and project that image. It just is, hands down.
Cameras are simple tools designed to capture images. Images that tell us more about ourselves than we realize. They remind us of the long journey we’ve taken. The loved ones who traveled alongside of us. Those we lost along the way. And those waiting for us on the road ahead.
In fact, our need to feel like big shots keeps us wedded to inadequate perspectives on the world, keeps us from exploring and dealing with what doesn't fit into those perspectives. We should be trying to formulate a bigger, richer perspective to accommodate what doesn't fit, but no matter how beautiful and true that new perspective looks to us, we should always be prepared to acknowledge that it doesn't accommodate something we haven't yet confronted.
Many critics have become de facto teachers. That is a lot of responsibility, and I think it should be wielded with care. Most people appreciate sincere guidance.
I honestly think the impulse is to grab something and capture it, and not capture a moment that you want to remember, but just capture an image that you want other people to see right away. It's about how someone is going to "like" this and it's no longer an experience. It's just this constant sharing of images. I personally don't like that very much.
In a world of prayer, we are all equal in the sense that each of us is a unique person, with a unique perspective on the world, a member of a class of one.
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