A Quote by Nick Woodman

I have a GoPro in the trunk of my streetcar. — © Nick Woodman
I have a GoPro in the trunk of my streetcar.
I have an aluminium trunk that I came to Delhi with. God has given me a lot in the last 27 years, but that trunk remains with me. I can return to Motihari with that trunk but I have my family to support.
By the time I was four, I would walk around the corner and wait at a local streetcar stop, get on the streetcar with somebody who looked like they could be my mother and go to the end of the line.
I got dead bodies rotting in my Benz trunk. Trunk of funk, I call it.
It happens that the stage sets collapse. Rising, streetcar, four hours in the office or the factory, meal, streetcar, four hours of work, meal, sleep, and Monday Tuesday Wednesday Thursday Friday and Saturday according to the same rhythm – this path is easily followed most of the time. But one day the “why” arises and everything begins in that weariness tinged with amazement.
I always thought jazz was like the trunk of a tree. After the tree has grown, many branches have spread out. They're all with different leaves and they all look beautiful. But at the end of the season, they fold back up and it's still the tree trunk.
I was hustling out of shops kind of doing, selling music out of my trunk, selling grills out of my trunk, too. And then I teamed up with Johnny Dang, he was the local, the grill man who made them for the dentist.
I've always wanted to do a segment on a talk show. Jay Leno has been such a good friend, and if he would allow me, I'd have to get it all together, but I'd like to go on 'The Tonight Show' and do a set with no props. Or come out with a trunk and never touch it. Or come out with a clear trunk with nothing in it.
I wore a GoPro camera on my head for all three of my boys.
I'm very bullish on the streetcar.
We'll all be riding that streetcar of desire.
The design of the gum is expressed in the flow of it trunk and limbs, and the design of the European tree mainly in its foliage. In Europe great masses of foliage first attract the eye, here the limbs and trunk, which, on account of their proportion and colour, make themselves felt first, and one thinks of the foliage as a secondary matter.
In the early years, I would say GoPro's products were not that impressive.
You need a GoPro camera and some fun mounts to capture the chaos.
Generally, I like people's trunk projects, the things they were working on before anyone knew who they were. I think when people run out of their trunk items and they start doing stuff just to do a film next year, the quality goes down, the interest goes down. Maybe it feels commercial or something.
As long as we continue to execute, everything will work out for everybody at GoPro.
Viral word-of-mouth marketing for GoPro is massive. Video is really the conduit.
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