A Quote by Nick Woodman

Now I'm the father of three young boys, I find myself using GoPro to film them more than anything - trips to the amusement park, the beach, the pool - just chasing them around as they grow.
I find myself, the more I grow up the more I hang around creatives, musicians. I find them more inspiring to be around. I'd probably say that. The more creative you are - I get along with them better. There is more of an understanding.
My favorite thing about coaching? Teaching. Being around young people, just watching a player grow and develop. You know, a young man comes in with dreams and goals and ambitions and just helping him reach (them). It's like your dad watching you grow up and like me watching my boys grow.
What makes it all worth-while is what I've been able to do for my parents. They were poor and worked all their lives. Like all boys in London, I dreamed of winning the football pool and doing for them. Well, this is better than any football pool. Now they don't have to work. I've given them a nice home and a car. It's a good feeling.
When my kids started preschool, the teachers had to take away all the fake bananas because all the boys would pick them up and pretend that they were guns. Boys find sticks to play swords and anything that looks like a gun to shoot. It's just inside of them. It's who they are.
I just feel like I explain myself more, I'm trying to be more conscious about it, simply. Just enlightening my fans and letting them know to lock into me because I'm speaking real with them, more than anything.
I brought hurdles, all ten of them, to the beach and had my hurdling sessions very close to the water. Those days, I trained on the beach for nearly three months every season with coach Nambiar. I used to run into the water, almost chasing the receding waves, and that was how I built up strength.
I have three young kids and a great family. I love hanging out with them more than anything.
I live near Thompson Square Park, and there are a lot of colorful people I see in the park - a lot of different personalities and homeless people - you get to know them. And every now and then, there is suddenly someone who is no longer around, and you're just like, 'Wow,' but you never really know what happened to them.
The war being waged against the radical imagination, particularly around young people, is just startling. Young people are laboring under a burden of debt that so ties them to a survivalist mode of existence that it's impossible for them to dream anymore. Trying to recognize what the forces are that actually squelch the imagination is a lot more interesting to me than people who go and "find themselves" because they're no longer on the grid.
There is too much fathering going on just now and there is no doubt about it fathers are depressing. Everybody now-a-days is a father, there is father Mussolini and father Hitler and father Roosevelt and father Stalin and father Trotsky and father Blum and father Franco is just commencing now and there are ever so many more ready to be one. Fathers are depressing. England is the only country now that has not got one and so they are more cheerful there than anywhere. It is a long time now that they have not had any fathering and so their cheerfulness is increasing.
I wore a GoPro camera on my head for all three of my boys.
We've now got a group of young people in this country who for all practical purposes are American. They grew up here. They've gone to school here. They don't know anything other than being American kids. But their parents may have brought them here without all the proper paperwork - might have brought them here when they were three, might have brought them here when they were five. And so, lo and behold, by the time they finish school, and they're ready to go to college, they find out they can't go to college and, in fact, their status as Americans are threatened.
I think with comedy I get very sort of critical of myself and try and do the best I can and it doesn't come as second nature. I work at those kinds of films. It doesn't mean I can't do them - I've done two now, and I have a great time doing them, but I just find myself a little bit more neurotic.
I don't really find girls to be any more dramatic or delicate than boys; I've known plenty of little boys who've had miserable breakdowns over things... in fact, I was one of them!
I stay around the young boys in the studio; I want to learn from them, and at the same time, I have a lot to offer them.
It's too bad that there aren't as many light comedies around in the movies as there were when I was making pictures like 'The Bachelor and the Bobby-Soxer.' The boys are just not writing them. Many writers are more serious now than they used to be, and that's showing up in all phases of entertainment.
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