A Quote by Nick Woodman

I wore a GoPro camera on my head for all three of my boys. — © Nick Woodman
I wore a GoPro camera on my head for all three of my boys.
Now I'm the father of three young boys, I find myself using GoPro to film them more than anything - trips to the amusement park, the beach, the pool - just chasing them around as they grow.
You need a GoPro camera and some fun mounts to capture the chaos.
In high school I wore No. 8, in college I wore No. 5, and five plus three is eight and five minus three is two, you know? Addition and subtraction.
Before GoPro, if you wanted to have any footage of yourself doing anything, whether it's video or photo, you not only needed a camera, you needed another human being. And if you wanted the footage to be good, you needed that other human being to have skill with the camera.
I think that that's something that's pretty interesting about a GoPro - it's the one camera that we know of that you can combine with like cameras to form new cameras. So it's a bit of a modular system.
My grandfather had two boys, my uncle had three boys, my dad had me and my two brothers, each of my brothers have had two boys. Then something happened with the chromosomal experiment and suddenly I've got three girls.
My favorite was 'The Lost Boys.' Corey Haim wore this trench coat, and I made my mum buy me a trench coat. I wore it to school, to primary school.
I got a unicorn horn on my head once. I said, "Can you really see that on camera?" My producer said, "You can see it from space." I would have to angle my head a certain way so that I didn't look misshapen on camera.
In the past, I've done some covering. My first show in New York, I covered three guys in 'Jersey Boys.' I think it was always something that was helpful for keeping my head on straight.
A huge part of what we do as actors is learning to ignore the camera, as if it's not even there, while simultaneously being very aware of the camera and what it's capturing, because you can give the best performance of your life, but if you do it with the back of your head facing the camera, it's going to get cut from the movie.
There was a point a few years ago where I realized I started out playing boys on camera and stage, and then I translated that to playing boys in animated shows. I was like, "Whoa, this is intense."
I suppose I've always lived in my own head. I didn't discover boys till sixth form. Then suddenly it was, 'Oh! Boys!'
Once upon a time, growing up male gave little boys a sense of certainty about the natural order of things. We had short hair, wore pants, and played baseball. Girls had long hair, wore skirts, and, no matter how hard they tried, always threw a baseball just like a girl.
And there were sort of three toys for boys and three toys for girls. And the boys I can remember was, well, there was a Dan Dare Ray Gun. Dan Dare was a sort of a cartoon character. He was just sort of a - he was like a Battle of Britain fighter pilot, only in space.
Some people come up to be directors by coming through the camera department and there's not a lot of women in the camera department. The ones that are have to kind of prove they're one of the boys, I think. I don't want to get into trouble with generalisations but I think it's a fair observation.
I wore the hijab - a form of dress that comprises a head scarf and usually also clothing that covers the whole body except for the face and hands - for nine years. Put more honestly, I wore the hijab for nine years and spent eight of them trying to take it off.
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